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Giacometti in the Temple

Giacometti in the Temple

Nathan Scheer | June 25, 2026
Italian Senate Displays Caravaggio’s Barberini Portrait

Italian Senate Displays Caravaggio’s Barberini Portrait

London Exhibition Features Lost Carrington Work

London Exhibition Features Lost Carrington Work

Christie’s Old Masters & 19th Century Paintings

Christie’s Old Masters & 19th Century Paintings

sistine_ceiling

COMMENTS ON THE ART MARKET

Our monthly newsletter on the current state of the art market
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REHS-ing ARTISTS

Four generations of advice for artists new to the market.
Charles Saatchi set to auction off 50 of his largest sculptures and installations
Charles Saatchi set to auction off 50 of his largest sculptures and installations
Aug 03

Charles Saatchi set to auction off 50 of his largest sculptures and installations

By Howard L. Rehs

Charles Saatchi set to auction off 50 of his largest sculptures and installations – This should be an interesting sale as many of these pieces are very large and all will be sold without an estimate or reserve.  We will keep … More…

Damien Hirst’s portrait by Jonathan Yeo is an ‘ironic reflection’
Damien Hirst’s portrait by Jonathan Yeo is an ‘ironic reflection’
Aug 03

Damien Hirst’s portrait by Jonathan Yeo is an ‘ironic reflection’

By Howard L. Rehs

Damien Hirst’s portrait by Jonathan Yeo is an ‘ironic reflection’ – and upcoming show at the National Portrait Gallery in London – Jonathan Yeo Portraits – September 11 – January 5.  

Now Available: Comments on the Art Market – Volume 152
Now Available: Comments on the Art Market – Volume 152
Aug 02

Now Available: Comments on the Art Market – Volume 152

By Howard L. Rehs

Newsletter Archives.  Volume 152 of our Comments on the Art Market is out.  This month we cover the upcoming Baltimore Show, artist Julie Bell, Really, Stocks, Tales from the Dark Side and a few of the recent auctions in London. … More…

Painting (Photo) of the Day (AVAILABLE) – Ansel Adams’ “Bridalveil Fall”
Painting (Photo) of the Day (AVAILABLE) – Ansel Adams’ “Bridalveil Fall”
Aug 02

Painting (Photo) of the Day (AVAILABLE) – Ansel Adams’ “Bridalveil Fall”

By Howard L. Rehs

Bridalveil Fall.  Here is a wonderful piece by the 20th century American photographer Ansel Adams (1902-1984) that we are currently offering at the gallery.  

For Fans of Sendak, the Artist Keeps Giving
For Fans of Sendak, the Artist Keeps Giving
Aug 02

For Fans of Sendak, the Artist Keeps Giving

By Howard L. Rehs

For Fans of Sendak, the Artist Keeps Giving – the Sendak market still holds strong.  On view at the Museum of American Illustration – Maurice Sendak: A Celebration of the Artist and His Work (through August 17)  

Seaside Surrealist’s toilet humour inspires Fleet Street’s finest
Seaside Surrealist’s toilet humour inspires Fleet Street’s finest
Aug 02

Seaside Surrealist’s toilet humour inspires Fleet Street’s finest

By Howard L. Rehs

Seaside Surrealist’s toilet humour inspires Fleet Street’s finest – honoring the man who brought the urinal to new heights — Marcel Duchamp.  

Painting of the Day (AVAILABLE) Mark Lovett’s “Golden Waves”
Painting of the Day (AVAILABLE) Mark Lovett’s “Golden Waves”
Aug 01

Painting of the Day (AVAILABLE) Mark Lovett’s “Golden Waves”

By Alyssa Rehs

A beautiful work by Mark Lovett, Golden Waves.  

Art Rules aims to supplant Twitter as platform for online art debate
Art Rules aims to supplant Twitter as platform for online art debate
Aug 01

Art Rules aims to supplant Twitter as platform for online art debate

By Lance Rehs

Set to launch this month, Art Rules, will be an online platform solely for discussing and debating art. Similar to Twitter, posts are limited (in this case to 100 characters) and you can link to articles and pictures. Developed by … More…

Painting of the Day (SOLD archives) – Francis S. Muschamp’s “The Music Lesson”
Painting of the Day (SOLD archives) – Francis S. Muschamp’s “The Music Lesson”
Aug 01

Painting of the Day (SOLD archives) – Francis S. Muschamp’s “The Music Lesson”

By Howard L. Rehs

The Music Lesson.  Here is a nice 19th century British Victorian painting by Francis Sydney Muschamp (fl.1870-1903, d. 1929) that the gallery sold back in the late 1980s.  

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