Henry John Yeend King: A British Realist

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Henry John Yeend King "Feeding the Ducks"




Henry John Yeend King was an important Victorian genre and landscape artist. He was born in London on August 21, 1855 and began his education as a choirboy at the Temple Church. One of the artist's earliest recollections was of being locked in the building one afternoon after practice: "I had to spend the night in a cabin built of pew cushions, while my father was inquiring at every hospital in London. After three weeks' rest with a bad cold, on going back to my choral duties I was summoned to an interview with a Bencher, who, after regaling me with cake and wine, presented me with five shillings for having been a 'good boy,' and 'for not having thrown my boots through one of the stained-glass windows.' The idea of doing such a thing had never occurred to me."

He continued his schooling at the Philological School before being apprenticed to O'Connor's, the glass painters, of Bernes St., London for three years. After working at O'Connor's he went to study painting under the Victorian artist William Bromley, RBA, and then he traveled to Paris to study under Leon Bonnat (1833 - 1922) and Fernand Cormon (1854 - 1924). His academic training in Paris, along with a definite influence of the French Realists and Impressionists, helped mold his fully matured style of carefully modeled figures, plein air technique and bold coloration.

Yeend King lived in London for most of his life however, like many of his contemporaries his heart was 'in the country'. He traveled extensively throughout England and France in search of suitable subject matter. In 1885 he wrote and illustrated an article entitled "A Round in France" for The Magazine of Art - giving both a visual and written tour of the French countryside leading to Brittany.

His specialty was scenes of rustic genre and the countryside - almost never showing the heavily industrialized cities. His paintings depict pretty farm girls (often using his own daughter as a model) at work in the fields or on the farm - much like the French Realist artist Julien Dupré; or women at rest in tranquil landscapes or cottage gardens.

In 1881 he married Edith Lilian Atkinson, daughter of T.L. Atkinson (the mezzotint engraver), and they had one daughter - Lilian (who became an artist). Yeend King was an important and influential artist and was noted by the London Times in an article on June 6, 1924 as:

In appearance Yeend King was a contrast to the conventional idea of an artist, being clean-shaven, wearing his hair short, and having a genial smile and a great fund of humor. Like most painters, however, he was a real Bohemian, with a wonderful collection of funny stories, which he told well. He was seldom without a snuff-box, although he himself was not a constant snuff-taker.

In 1879, he was elected to the Royal Society of British Artist (RBA) and in 1886 he was elected to the Royal Institute of Painters in Watercolor (of which he later became vice-president). He was also a member of the Royal Institute of Painters in Oil-Colors and was a frequent exhibitor at all the major exhibition halls; showing 115 works at the RBA, 38 at the RI and 94 at the Royal Academy. Yeend King also exhibited paintings throughout Europe and the United States - winning medals in Paris, Berlin and Chicago.

It was at the Royal Academy exhibit of 1897 that the Council of the RA, as trustees for the permanent collection in New South Wales, purchased The Garden by the River and in 1898 the Tate Gallery, under the Chantrey Bequest, purchased Milking Time.

He died on June 10, 1924 at the age of 68.

Works in public collections:

From Green to Gold (c.1889) - Walker Art Gallery, Liverpool
Landscape with a Windmill - Leicestershire Museums & Art Galleries, Leicester
River Banks and Blossoms (1909) – Rochdale Art Gallery, England
A Cottage Garden, Braemar – Stockport Art Gallery, England
The Woodyard – Leeds City Art Galleries, England
Landscape – City Art Gallery, Manchester
Lathkill Dale, Derbyshire – Graves Art Gallery, England
Milking Time – Tate Gallery, England
Girls Herding Geese – Oldham Art Gallery, England
The Millstream - Oldham Art Gallery, England




A Rest in the Woods - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
A Rest in the Woods
20 x 16 inches
Signed

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Conversation in the Garden - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Conversation in the Garden
40 x 30 inches
Signed and dated 1913

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In the Garden - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
In the Garden
36 x 28 inches
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Landscape with Figures - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Landscape with Figures
24 x 36 inches
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The Letter - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
The Letter
28 x 22 inches
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Feeding Time in the Garden - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Feeding Time in the Garden
40 x 30 inches
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The Old Mill - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
The Old Mill
40 x 30 inches
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Off to School - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Off to School
36 x 28 inches
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Afternoon Picnic - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Afternoon Picnic
20 x 30 inches
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Gathering Flowers - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Gathering Flowers
20 x 30 inches
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Cabbage Gatherer - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Cabbage Gatherer
24 x 18 inches
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Feeding the Doves - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Feeding the Doves
20 x 30 inches
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Picnic  on the River - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Picnic on the River
20 x 30 inches
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Fishing by the River - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Fishing by the River
24 x 40 inches
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Victorian Garden - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Victorian Garden
14 1/4 x 21 inches
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\'Twas the Night Before Christmas - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
'Twas the Night Before Christmas
16 x 24 inches
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Watering the Roses - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Watering the Roses
28 x 22 inches
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The Miller\'s Geese - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
The Miller's Geese
24 x 18 inches
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By the Gate - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
By the Gate
24 x 18 inches
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The Ferry - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
The Ferry
40 x 60 inches
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A Walk in the Country - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
A Walk in the Country
24 x 36 inches
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Fishing on a Quiet Backwater - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Fishing on a Quiet Backwater
24 x 36 inches
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Their Favorite Spot - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Their Favorite Spot
18 x 24 inches
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Summer Landscape - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Summer Landscape
14 x 10 inches
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A Summer Garden - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
A Summer Garden
15 x 10 inches
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March Meadows - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
March Meadows
40 x 30 inches
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Waiting for the Ferry - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Waiting for the Ferry
19 1/2 x 29 1/2 inches
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Feeding the Ducks - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Feeding the Ducks
20 x 30 inches
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Crossing the Stream - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Crossing the Stream
14 x 11 inches
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Girl Waiting for a Ferry - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Girl Waiting for a Ferry
20 x 30 inches
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Feeding the Ducks - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Feeding the Ducks
20 x 30 inches
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Watching the Trout - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Watching the Trout
40 x 30 inches
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Crossing the Road - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
Crossing the Road
20 x 16 inches
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A Pensive Moment - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
A Pensive Moment
23 x 17 inches
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By the Riverside - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
By the Riverside
26 x 19 inches
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At the Gate - Henry John Yeend King
Henry John Yeend King
(1855 - 1924)
At the Gate
20 1/2 x 16 inches
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