About your purchase...
- Purchases outside the continental US - please call for shipping rates
- New York state residents are charged sales tax
The work(s) of art is/are sold by the Seller and purchased by the buyer upon the following terms and conditions:
1. Except as otherwise provided herein or elsewhere agreed in writing, payment in full is due and payable on the date of the invoice.
2. This is an invoice only. Title to the work(s) of art purchased shall not pass until payment in full has been received.
3. All applicable sales taxes have been charged on this transaction. The payment and remittance of use tax is the Buyer’s obligation. Seller reserves the right to collect out-of-state sales taxes from the buyer after the sale if seller becomes assessed with them.
4. The Buyer’s sole remedy for breach of any implied or express warranty therein shall be an action for rescission and, in any event, the absolute limit of the Seller’s liability and responsibility hereunder shall under no circumstances exceed the total sales price and seller shall not be responsible for any special, incidental, or consequential damages or lost profits.
5. A non-exclusive right to reproduce the work(s) of art is reserved by the Seller.
6. Risk or loss of the work(s) of art purchased shall pass to the Buyer upon delivery by the Seller to the address specified by the Buyer.
7. In accordance with the UCC and the New York Arts and Cultural Affairs Law, Seller guarantees that the work(s) of art purchased is by the named artist. If such work(s) proves not to be of such authorship as described, Seller will accept the return of the work(s) and return the sales price in full.
8. Any disputes arising out of this sale shall be governed by the laws of the State of New York without regard to its choice of law provisions, and shall be submitted to the American Arbitration Association for an arbitration to be held before a single arbitrator in New York City, New York. The prevailing party in such arbitration shall be entitled to its costs and attorneys’ fees in connection with such arbitration proceeding, and the costs of enforcement and collection of any resulting arbitral award.
EXCEPT FOR THE WARRANTY OF AUTHENTICITY SET FORTH ABOVE, NO WARRANTIES OR AGREEMENTS, EXPRESS OR IMPLIED, INCLUDING WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE, HAVE BEEN MADE BY THE SELLER.
|
|
EXHIBITED
Josh Tiessen
The Ferret Trials
Oil on panel
12 x 12 inches
Signed
Provenance
Josh Tiessen
Rehs Contemporary Galleries, Inc., New York City
Notes
In the early months of 2020, it was widely believed that Covid-19 was a zoonotic virus originating naturally from either bats or pangolins in the wet markets of Wuhan, China. However, due to mounting evidence, the FBI, U.S. Energy Department, and investigative journalism publications such as The Wall Street Journal and The Washington Post have concluded that it is more likely SARS-CoV-2 was leaked from the Wuhan Institute of Virology where lethal viruses were engineered using animal DNA. Research on gain-of-function bio-weapon viruses had already been taking place in the United States under the watch of NIH director Dr. Francis Collins. Due to the obvious risk as a national bio-hazard, this research was paused in 2014 by President Obama. Dr. Anthony Fauci and the National Institute of Health continued to fund gain-of-function research at the Wuhan Institute of Virology in China via EcoHealth Alliance grants, a fact which was first exposed by the White Coat Waste Project.
The Wuhan Laboratory houses a massive Experimental Animal Centre with thousands of cages containing genetically engineered mice, ferrets, bats, rabbits, and dogs. According to a Wuhan University assessment report in 2019, "There is a lot of debris in the laboratory… [it] is crowded & chaotic… Students are not wearing lab coats… Chemical waste & household waste mixed, temporary storage cabinets have simple disposal of biochemical waste.” The Journal of Biosafety and Biosecurity expressed concerns about the quality of animal experiments done there with highly infectious agents, warning that “The infectious animals may escape and cause a potential hazard to humans and the environment when cage lids or doors are not properly locked.” [i]
In my painting, a lone ferret lays deceased on a lab table with a syringe––perhaps one of the many experimental injections for risky gain-of-function research. This work is a lament for the atrocities of vivisection (animal testing). The seven rose petals are symbolic of a funeral. It is my way of eulogizing the Black-Footed Ferret, the most commonly used species for coronavirus vaccine experiments, due to its lung structure resembling that of humans. While at first ferrets showed promising signs of antibody response, many died later when exposed to the wild virus [iii]. Today animals are experimented on in labs all over the world and, as a result, just like the ferrets many of them prematurely perish due to compromised immune systems.
While we mourn the 3 million human deaths caused by Covid-19, I believe the pandemic needs to be re-framed as a cautionary tale for what happens when we “trust the science”––turning a blind-eye to scientists who forego ethics and wisdom, enamoured by money for their mad-science experiments. The pandemic thus exposed the frailty of so-called scientific progress.
Josh Tiessen
Artist
[i] Journal of Biosafety and Biosecurity by Guo et al. (2019) “Biosafety and data quality considerations
for animal experiments with highly infectious agents at ABSL-3 facilities.”
[ii] Lab Report, Wuhan University, 2019.
[iii] Dr. Jospeh Mercola, The Truth About COVID-19, 229, 232.
|