{"id":57675,"date":"2026-06-05T14:00:56","date_gmt":"2026-06-05T18:00:56","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=57675"},"modified":"2026-06-05T11:09:22","modified_gmt":"2026-06-05T15:09:22","slug":"mitsuru-watanabe-shines-at-christies","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2026\/06\/mitsuru-watanabe-shines-at-christies\/","title":{"rendered":"Mitsuru Watanabe Shines at Christie&#8217;s"},"content":{"rendered":"<div id=\"attachment_57676\" style=\"width: 232px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/06\/2026_HGK_24368_0068_000mitsuru_watanabe_naoko_explores_the_bosss_hell034105-scaled.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-57676\" class=\"wp-image-57676 \" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/06\/2026_HGK_24368_0068_000mitsuru_watanabe_naoko_explores_the_bosss_hell034105-234x300.jpg\" alt=\"A detail from Hieronymous Bosch's painting The Last Judgment, but with a little girl riding a pink teddy bear passing by.\" width=\"222\" height=\"285\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/06\/2026_HGK_24368_0068_000mitsuru_watanabe_naoko_explores_the_bosss_hell034105-234x300.jpg 234w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/06\/2026_HGK_24368_0068_000mitsuru_watanabe_naoko_explores_the_bosss_hell034105-797x1024.jpg 797w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/06\/2026_HGK_24368_0068_000mitsuru_watanabe_naoko_explores_the_bosss_hell034105-768x986.jpg 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/06\/2026_HGK_24368_0068_000mitsuru_watanabe_naoko_explores_the_bosss_hell034105-1196x1536.jpg 1196w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/06\/2026_HGK_24368_0068_000mitsuru_watanabe_naoko_explores_the_bosss_hell034105-1595x2048.jpg 1595w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/06\/2026_HGK_24368_0068_000mitsuru_watanabe_naoko_explores_the_bosss_hell034105-scaled.jpg 1994w\" sizes=\"(max-width: 222px) 100vw, 222px\" \/><\/a><p id=\"caption-attachment-57676\" class=\"wp-caption-text\"><em>Naoko Explores the Boss&#8217;s Hell<\/em> by Mitsuru Watanabe<\/p><\/div>\n<p><span data-preserver-spaces=\"true\">When one of the historical artists we specialize in has a painting come up at auction, we pay extra attention to the results. It offers a bit of a litmus test of the market for their works. However, when one of our contemporary artists comes up at auction, that\u2019s always an extra special occasion. And this past Friday, Mitsuru Watanabe proved his continuing popularity with buyers when his <\/span><em><span data-preserver-spaces=\"true\">Naoko Explores the Boss\u2019s Hell<\/span><\/em><span data-preserver-spaces=\"true\"> smashed its presale estimate at Christie\u2019s Hong Kong during their 20th\/21st Century sale.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">In his work, Watanabe draws on elements from Old Master and nineteenth-century paintings, transforming them with incredibly personal additions. Most notably, he often includes his children Naoko and Shiro in his paintings, inserting them into northern Renaissance masterworks or the paintings of Henri Rousseau.<\/span><\/p>\n<p><em><span data-preserver-spaces=\"true\">Naoko Explores the Boss\u2019s Hell<\/span><\/em><span data-preserver-spaces=\"true\"> uses imagery taken from <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/8\/85\/Hieronymus_Bosch%2C_The_Last_Judgment.JPG\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">the central panel of <\/span><\/a><em><a class=\"editor-rtfLink\" href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/8\/85\/Hieronymus_Bosch%2C_The_Last_Judgment.JPG\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">The Last Judgment<\/span><\/a><\/em><span data-preserver-spaces=\"true\">, a triptych by the Netherlandish Renaissance painter Hironymous Bosch (we believe the title given by Christie\u2019s is an error, and that it should be <\/span><em><span data-preserver-spaces=\"true\">Bosch\u2019s Hell<\/span><\/em><span data-preserver-spaces=\"true\">). In the background, the damned are tortured in an innumerable number of creative ways: impaled, burned, hacked to pieces, force-fed, and other ways that are representative of the sins they committed in life. Meanwhile, Naoko wanders past the <\/span><span data-preserver-spaces=\"true\">viewer&#8217;s<\/span><span data-preserver-spaces=\"true\"> perspective atop a giant pink teddy bear, which she is operating via switches and levers. She breaks the fourth wall and flashes a peace sign to the viewer. Her presence drastically conflicts with the scenes of torture behind her. The subject and the background only serve to reinforce the former&#8217;s innocent nature and the latter&#8217;s disturbing nature.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Watanabe has been doing incredibly well in the Asian market. Of the roughly fifty Watanabe paintings sold at auction in the last five years, only two have gone unsold. The remaining works have consistently met or exceeded their estimate ranges, with 70% selling above their high estimates. So the work offered in Hong Kong on Friday was not an exception but rather the norm for the market for Watanabe\u2019s paintings. Christie\u2019s specialists expected the painting to sell for no more than HK$100K. However, several interested parties drove the final price beyond double that number, with the hammer coming down at HK$260K, or HK$330.2K w\/p (or $42.1K w\/p).<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When one of the historical artists we specialize in has a painting come up at auction, we pay extra attention to the results. It offers a bit of a litmus test of the market for their works. However, when one &hellip; <a href=\"https:\/\/rehs.com\/eng\/2026\/06\/mitsuru-watanabe-shines-at-christies\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":57676,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[1235,1379,207,20,15,429,1504,11],"class_list":["post-57675","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-contemporary","tag-21st-century-art","tag-21st-century-japanese-art","tag-auction-news","tag-auction-results","tag-comments-on-the-art-market","tag-contemporary-art","tag-mitsuru-watanabe","tag-rehs-contemporary-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Mitsuru Watanabe Shines at Christie&#039;s - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"Mitsuru Watanabe proved his continuing popularity when his work smashed its presale estimate at Christie\u2019s Hong Kong.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2026\/06\/mitsuru-watanabe-shines-at-christies\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Mitsuru Watanabe Shines at Christie&#039;s\" \/>\n<meta property=\"og:description\" content=\"Mitsuru Watanabe proved his continuing popularity when his work smashed its presale estimate at Christie\u2019s Hong Kong.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2026\/06\/mitsuru-watanabe-shines-at-christies\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-05T18:00:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/06\/2026_HGK_24368_0068_000mitsuru_watanabe_naoko_explores_the_bosss_hell034105-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1994\" \/>\n\t<meta property=\"og:image:height\" content=\"2560\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/06\\\/mitsuru-watanabe-shines-at-christies\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/06\\\/mitsuru-watanabe-shines-at-christies\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Mitsuru Watanabe Shines at Christie&#8217;s\",\"datePublished\":\"2026-06-05T18:00:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/06\\\/mitsuru-watanabe-shines-at-christies\\\/\"},\"wordCount\":413,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/06\\\/mitsuru-watanabe-shines-at-christies\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2026\\\/06\\\/2026_HGK_24368_0068_000mitsuru_watanabe_naoko_explores_the_bosss_hell034105-scaled.jpg\",\"keywords\":[\"21st Century Art\",\"21st Century Japanese Art\",\"Auction News\",\"Auction Results\",\"Comments on the Art Market\",\"Contemporary art\",\"Mitsuru Watanabe\",\"Rehs Contemporary - 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