{"id":57437,"date":"2026-03-26T16:30:30","date_gmt":"2026-03-26T20:30:30","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=57437"},"modified":"2026-03-26T15:54:51","modified_gmt":"2026-03-26T19:54:51","slug":"frida-and-diegos-last-dream-at-moma","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2026\/03\/frida-and-diegos-last-dream-at-moma\/","title":{"rendered":"Frida and Diego\u2019s Last Dream at MoMA"},"content":{"rendered":"<div id=\"attachment_57438\" style=\"width: 246px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/640px-Diego_Rivera_and_Frida_Kahlo.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-57438\" class=\"wp-image-57438\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/640px-Diego_Rivera_and_Frida_Kahlo-284x300.jpg\" alt=\"A black-and-white photograph of Diego Rivera and Frida Kahlo.\" width=\"236\" height=\"249\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/640px-Diego_Rivera_and_Frida_Kahlo-284x300.jpg 284w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/640px-Diego_Rivera_and_Frida_Kahlo.jpg 640w\" sizes=\"(max-width: 236px) 100vw, 236px\" \/><\/a><p id=\"caption-attachment-57438\" class=\"wp-caption-text\">Diego Rivera &amp; Frida Kahlo<\/p><\/div>\n<p><span data-preserver-spaces=\"true\">The Museum of Modern Art recently opened a small exhibit featuring the works of Frida Kahlo and Diego Rivera in collaboration with the Metropolitan Opera\u2019s new production focusing on the two artists.<\/span><\/p>\n<p><em><span data-preserver-spaces=\"true\">El \u00faltimo sue\u00f1o de Frida y Diego<\/span><\/em><span data-preserver-spaces=\"true\"> (<\/span><em><span data-preserver-spaces=\"true\">Frida and Diego\u2019s Last Dream<\/span><\/em><span data-preserver-spaces=\"true\">) is a new opera that will premiere at the Lincoln Center institution on May 14, 2026. Composer Gabriela Lena Frank and librettist Nilo Cruz have created something that seems befitting of the magical realism and surrealism of Kahlo\u2019s work. In what the Metropolitan Opera calls \u201ca reversal of the Orpheus and Euridice myth\u201d, the production focuses on Frida Kahlo\u2019s spirit taking advantage of D\u00eda de Muertos to visit Diego Rivera. Media exploring their relationship has always been popular. The two embodied striking dichotomies. In both appearance and temperament, they were profoundly different. Kahlo\u2019s mother, Matilde Calder\u00f3n, famously referred to them as \u201cthe elephant and the dove.\u201d Their artistic styles diverged as well, with Rivera creating monumental public murals, while Kahlo focused on deeply intimate self-portraits. Yet both achieved the same goal, redefining the culture of post-revolutionary Mexico. Both also had a deep passion for traditional Mexican folk art and were champions of leftist politics.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">The opera\u2019s one-night reunion is said to be an artistic fulfilment of Rivera\u2019s final wish. Before he died in 1957, he requested that his cremated remains be placed beside those of Frida Kahlo. Hers are located in an urn at the Casa Azul, the Kahlo family home, which is now a museum dedicated to the artist. However, Rivera remarried following Kahlo\u2019s death in 1954. His fourth and final wife, Emma Hurtado, defied his wishes, allegedly for religious reasons. Instead, he was given a large, public funeral and buried at the Pante\u00f3n de Dolores in Mexico City.<\/span><\/p>\n<p><em><span data-preserver-spaces=\"true\">El \u00faltimo sue\u00f1o de Frida y Diego<\/span><\/em><span data-preserver-spaces=\"true\"> originally premiered at the San Diego Opera in 2022. Productions were also staged in Los Angeles and San Francisco. A production in Chicago is planned for later this year.\u00a0 However, Frank began the project in 2007, when the Arizona Opera\u2019s artistic director approached her with the idea of creating a work about Frida Kahlo. She soon found Cruz as a collaborator. Cruz, however, commented that he was \u201cnot interested in writing a biopic\u201d, especially since \u201cFrida\u2019s work is so autobiographical to begin with.\u201d The need for an alternative storytelling vehicle is what prompted the Day of the Dead elements. While Cruz took great inspiration from Kahlo\u2019s 1949 painting <\/span><em><a class=\"editor-rtfLink\" href=\"https:\/\/www.fridakahlo.org\/assets\/img\/paintings\/the-love-embrace-of-the-universe-the-earth-mexico-myself-diego-and-senor-xolotl.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">The Love Embrace of the Universe, the Earth (Mexico), Myself, Diego, and Se\u00f1or X\u00f3lotl<\/span><\/a><\/em><span data-preserver-spaces=\"true\">, the MoMA exhibit focuses on the opera\u2019s production design.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Since the museum show is not an attempt by curators to make an art-historical argument, none of the works on display were accompanied by articles or explanations. MoMA creators instead presented the works by the two artists and allowed visitors to draw their own conclusions. Several important Kahlo paintings are on display, including <\/span><em><a class=\"editor-rtfLink\" href=\"https:\/\/www.moma.org\/media\/W1siZiIsIjQ5NDA4NSJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MjAwMFx1MDAzZSJdXQ.jpg?sha=8e5f2e8b5844fd7b\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Self-Portrait with Cropped Hair<\/span><\/a><\/em><span data-preserver-spaces=\"true\"> and <\/span><em><a class=\"editor-rtfLink\" href=\"https:\/\/www.fridakahlo.org\/assets\/img\/paintings\/self-portrait-along-the-boarder-line-between-mexico-and-the-united-states.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Self-Portrait on the Borderline between Mexico and the United States<\/span><\/a><\/em><span data-preserver-spaces=\"true\">. Several large works by Rivera were also on display, including <\/span><em><a class=\"editor-rtfLink\" href=\"https:\/\/www.moma.org\/media\/W1siZiIsIjIxNDY2MCJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MTQ0MFx1MDAzZSJdXQ.jpg?sha=4de17f45e32da7ca\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">L\u00edder Agrario Zapata<\/span><\/a><\/em><span data-preserver-spaces=\"true\"> and <\/span><em><a class=\"editor-rtfLink\" href=\"https:\/\/www.moma.org\/media\/W1siZiIsIjE1MTE1MCJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MjAwMFx1MDAzZSJdXQ.jpg?sha=dbdae1e7bfb9473b\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Flower Festival: Feast of Santa Anita<\/span><\/a><\/em><span data-preserver-spaces=\"true\">. Several dozen paintings, drawings, lithographs, and other works by both artists give visitors a crash course in the styles, subjects, and themes that Kahlo and Rivera respectively preferred.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Most striking, however, was not necessarily an artwork in the exhibition, but something decorative. <\/span><span data-preserver-spaces=\"true\">On one side of the single large room where the exhibition is taking place is a <\/span><span data-preserver-spaces=\"true\">sort of<\/span><span data-preserver-spaces=\"true\"> sculpture resembling a gnarled, leafless tree, the bark tinted red.<\/span><span data-preserver-spaces=\"true\"> The trunk grows through a blue four-poster bed, something that Kahlo included in some of her work, most famously <\/span><em><span data-preserver-spaces=\"true\">The Dream (The Bed)<\/span><\/em><span data-preserver-spaces=\"true\">, which set an auction record for a Latin American artist and a female artist <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/rehs.com\/eng\/2025\/11\/sothebys-ny-exquisite-corpus-evening-sale\/\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">when it was sold at Sotheby\u2019s last November for $54.7 million w\/p<\/span><\/a><span data-preserver-spaces=\"true\">. Both the tree and the bed <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/dzvwd8wxognhf.cloudfront.net\/cache\/a\/b\/2\/3\/6\/1\/ab236138b01bd0d57d2fcba58d69bf38309233be.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">are important parts of the opera\u2019s design<\/span><\/a><span data-preserver-spaces=\"true\">, among the few large set pieces on stage. In an interview with MoMA, production designer Jon Bausor explained how it fits in with the themes of the larger story: \u201cFor me, the idea of cracks and fissures, tears and wounds was important, and the sense of what is revealed beneath the skin or surface. I\u2019ve translated these themes into a materialism. There\u2019s a tree of life and death; its arterial red branches are like a human heart or lung held up and underpinned by wooden scaffolding.\u201d The iconography of hearts, arteries, and bloodlines was a common feature in Kahlo\u2019s work, most famously in her 1939 painting <\/span><em><a class=\"editor-rtfLink\" href=\"https:\/\/www.sartle.com\/media\/artwork\/the-two-fridas-frida-kahlo.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">The Two Fridas<\/span><\/a><\/em><span data-preserver-spaces=\"true\">. This symbolism was also featured in one of the works on display at MoMA, <\/span><em><a class=\"editor-rtfLink\" href=\"https:\/\/www.moma.org\/media\/W1siZiIsIjQ3NTU1MiJdLFsicCIsImNvbnZlcnQiLCItcXVhbGl0eSA5MCAtcmVzaXplIDIwMDB4MjAwMFx1MDAzZSJdXQ.jpg?sha=1cc83c52d54e9f2c\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">My Grandparents, My Parents, and I<\/span><\/a><\/em><span data-preserver-spaces=\"true\">.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">But the image of the tree may remind audiences of the first painting exhibition-goers see when they enter the space: Kahlo\u2019s painting <\/span><em><a class=\"editor-rtfLink\" href=\"https:\/\/d7hftxdivxxvm.cloudfront.net\/?height=800&amp;quality=80&amp;resize_to=fit&amp;src=https%3A%2F%2Fd32dm0rphc51dk.cloudfront.net%2Fl09mxAzyk2dYbBTTnWA-bw%2Fnormalized.jpg&amp;width=599\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">\u00c1rbol de esperanza, mantente firme<\/span><\/a><\/em><span data-preserver-spaces=\"true\">, the title of which translates to <\/span><em><span data-preserver-spaces=\"true\">Tree of Hope, Remain Strong<\/span><\/em><span data-preserver-spaces=\"true\">. She created this work in 1946 following a trip to New York, where she underwent surgery for her chronic spinal pain. Though no tree is visible in the painting, the title, printed on a flag Kahlo holds, is more metaphorical. It could refer to Kahlo\u2019s spine, or even her spirit. The fact that her life and work can inspire others to create great works of art just goes to show that while Frida Kahlo\u2019s body often failed her, her spirit has remained strong even decades after her death.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Museum of Modern Art recently opened a small exhibit featuring the works of Frida Kahlo and Diego Rivera in collaboration with the Metropolitan Opera\u2019s new production focusing on the two artists. El \u00faltimo sue\u00f1o de Frida y Diego (Frida &hellip; <a href=\"https:\/\/rehs.com\/eng\/2026\/03\/frida-and-diegos-last-dream-at-moma\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":57438,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[877,1498,639,642,120,1225,1255,880,40,65,1467,9],"class_list":["post-57437","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","tag-20th-century-mexican","tag-diego-rivera","tag-frida-kahlo","tag-mexico","tag-modern-art","tag-moma","tag-mural","tag-muralism","tag-museum-exhibitions","tag-museums","tag-opera","tag-rehs-galleries-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Frida and Diego\u2019s Last Dream at MoMA - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"MoMA recently opened an exhibit on Frida Kahlo and Diego Rivera in collaboration with the Metropolitan Opera.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2026\/03\/frida-and-diegos-last-dream-at-moma\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Frida and Diego\u2019s Last Dream at MoMA\" \/>\n<meta property=\"og:description\" content=\"MoMA recently opened an exhibit on Frida Kahlo and Diego Rivera in collaboration with the Metropolitan Opera.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2026\/03\/frida-and-diegos-last-dream-at-moma\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-26T20:30:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/640px-Diego_Rivera_and_Frida_Kahlo.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/03\\\/frida-and-diegos-last-dream-at-moma\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/03\\\/frida-and-diegos-last-dream-at-moma\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Frida and Diego\u2019s Last Dream at MoMA\",\"datePublished\":\"2026-03-26T20:30:30+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/03\\\/frida-and-diegos-last-dream-at-moma\\\/\"},\"wordCount\":946,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/03\\\/frida-and-diegos-last-dream-at-moma\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/640px-Diego_Rivera_and_Frida_Kahlo.jpg\",\"keywords\":[\"20th Century Mexican\",\"Diego Rivera\",\"Frida Kahlo\",\"Mexico\",\"Modern Art\",\"MoMA\",\"mural\",\"muralism\",\"Museum Exhibitions\",\"museums\",\"Opera\",\"Rehs Galleries - Art World News\"],\"articleSection\":[\"Rehs 19th &amp; 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