{"id":57399,"date":"2026-03-15T10:00:12","date_gmt":"2026-03-15T14:00:12","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=57399"},"modified":"2026-03-13T16:31:20","modified_gmt":"2026-03-13T20:31:20","slug":"restoration-complete-on-londons-rubens-ceiling","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2026\/03\/restoration-complete-on-londons-rubens-ceiling\/","title":{"rendered":"Restoration Complete on London\u2019s Rubens Ceiling"},"content":{"rendered":"<div id=\"attachment_57400\" style=\"width: 209px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/Sir_Peter_Paul_Rubens_1577-1640_and_studio_-_The_Apotheosis_of_James_I_-_RCIN_408414_-_Royal_Collection.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-57400\" class=\"wp-image-57400 size-medium\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/Sir_Peter_Paul_Rubens_1577-1640_and_studio_-_The_Apotheosis_of_James_I_-_RCIN_408414_-_Royal_Collection-199x300.jpg\" alt=\"A large oval painting of a king rising into heaven surrounded by angels and female allegorical figures.\" width=\"199\" height=\"300\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/Sir_Peter_Paul_Rubens_1577-1640_and_studio_-_The_Apotheosis_of_James_I_-_RCIN_408414_-_Royal_Collection-199x300.jpg 199w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/Sir_Peter_Paul_Rubens_1577-1640_and_studio_-_The_Apotheosis_of_James_I_-_RCIN_408414_-_Royal_Collection-680x1024.jpg 680w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/Sir_Peter_Paul_Rubens_1577-1640_and_studio_-_The_Apotheosis_of_James_I_-_RCIN_408414_-_Royal_Collection-768x1156.jpg 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/Sir_Peter_Paul_Rubens_1577-1640_and_studio_-_The_Apotheosis_of_James_I_-_RCIN_408414_-_Royal_Collection.jpg 960w\" sizes=\"(max-width: 199px) 100vw, 199px\" \/><\/a><p id=\"caption-attachment-57400\" class=\"wp-caption-text\"><em>The Apotheosis of James I<\/em> by Peter Paul Rubens<\/p><\/div>\n<p><span data-preserver-spaces=\"true\">After two years of restoration work, one of the largest works ever made by Peter Paul Rubens will be unveiled and made available for public viewing.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Located in Central London, Banqueting House is the only surviving complete section of the Palace of Whitehall. Though the palace had been used as the official royal residence since the time of King Henry VIII, Banqueting House was added much later on the orders of King James I in 1619. As the name would suggest, Banqueting House was mainly used by the monarch for entertaining. When construction was complete, James\u2019s son and successor, Charles I, commissioned the interior decorations. Most notably, the king commissioned Peter Paul Rubens to paint the ceiling of the main banqueting hall.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">While the ceiling has nine sections, six are decorated with cherubs and allegorical figures. However, most of the attention is drawn to the three large sections running down the center of the ceiling. <\/span><em><a class=\"editor-rtfLink\" href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/b\/bf\/Banqueting_House%2C_The_Union_of_the_Crowns_of_Scotland_and_England%2C_ceiling_painting_by_Rubens.jpg\/960px-Banqueting_House%2C_The_Union_of_the_Crowns_of_Scotland_and_England%2C_ceiling_painting_by_Rubens.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">The Union of the Crowns of England and Scotland<\/span><\/a><\/em><span data-preserver-spaces=\"true\"> shows Minerva taking the separate crowns of England and Scotland, tying them together as King James looks on from his throne. Above, a pair of cherubs descend to give the king the new coat of arms for his new realm. In 1603, Queen Elizabeth I died without having had any children. The throne of England, therefore, went to James, her first cousin twice removed, who had reigned as king of Scotland since he was 13 months old. Although England and Scotland would be ruled by the same monarch starting with James, they were technically still independent countries. This would not be changed until the two kingdoms were legally joined as one in 1707.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">On the other side of the banqueting hall is the second of the three paintings, <\/span><em><a class=\"editor-rtfLink\" href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/3\/3f\/Banqueting_House%2C_The_Peaceful_Reign_of_James_I%2C_ceiling_painting_by_Rubens.jpg\/960px-Banqueting_House%2C_The_Peaceful_Reign_of_James_I%2C_ceiling_painting_by_Rubens.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">The Wise Rule of James I<\/span><\/a><\/em><span data-preserver-spaces=\"true\">. The king is shown on his throne as a laurel crown is placed on his head. Before him, Minerva, representing wisdom, is shown attacking Mars, representing war. Appropriately, on the left, female allegorical figures representing peace and abundance are shown embracing one another.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">In the very center of the ceiling, in a large oval, Rubens created <\/span><em><span data-preserver-spaces=\"true\">The Apotheosis of James I<\/span><\/em><span data-preserver-spaces=\"true\">. The king is guided by a figure bearing thunderbolts and scales, representing divine justice. He ascends into Heaven on the back of an eagle, upwards towards Victory and Britannia holding a laurel crown. It is one of the most succinct representations of the divine right of kings and the monarch\u2019s connection to God. This was something James believed strongly and instilled in his son, Charles. It was likely this belief, that the king was answerable only to God, that led to Charles\u2019s opposition to Parliament\u2019s power and the subsequent English Civil War. Ironically, when Charles lost the war to parliamentary forces and was found guilty of treason, he was led underneath the Rubens paintings and beheaded right outside Banqueting House in January 1649.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">The paintings were among the largest Rubens ever painted. They were so large, in fact, that the canvases could not fit into his studio. Instead, he and his assistants and students had to work in the Antwerp commodity exchange and in the refectory of a nearby Carmelite monastery. The canvases were rolled up and shipped to England, where they were laid onto panels and installed in the ceiling in 1636.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Historic Royal Palaces, an independent charity that oversees and maintains Britain\u2019s unoccupied Royal residences, started renovations on Banqueting House in May 2024. With the renovations complete, the building is now more accessible and sustainable. In addition to any repairs and cleaning to the Rubens ceiling, restoration workers installed air-source heat pumps on the roof to better control temperature and humidity within the building. The building\u2019s windows were also coated with a film to filter out most infrared radiation, reducing the damage that direct sunlight would cause to the paintings.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Banqueting House will reopen for previews starting on March 20th, with a full public reopening scheduled for August 1st.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>After two years of restoration work, one of the largest works ever made by Peter Paul Rubens will be unveiled and made available for public viewing. Located in Central London, Banqueting House is the only surviving complete section of the &hellip; <a href=\"https:\/\/rehs.com\/eng\/2026\/03\/restoration-complete-on-londons-rubens-ceiling\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":57401,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[524,345,854,105,58,9,743],"class_list":["post-57399","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","tag-17th-century","tag-17th-century-art","tag-17th-century-flemish","tag-london","tag-old-masters","tag-rehs-galleries-news","tag-rubens"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.8 (Yoast SEO v27.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Restoration Complete on London\u2019s Rubens Ceiling - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"After two years of restoration work, the ceiling painted by Peter Paul Rubens at Banqueting Hall in London will be unveiled.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2026\/03\/restoration-complete-on-londons-rubens-ceiling\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Restoration Complete on London\u2019s Rubens Ceiling\" \/>\n<meta property=\"og:description\" content=\"After two years of restoration work, the ceiling painted by Peter Paul Rubens at Banqueting Hall in London will be unveiled.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2026\/03\/restoration-complete-on-londons-rubens-ceiling\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-15T14:00:12+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/RubensCeilingJamesdetail.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1500\" \/>\n\t<meta property=\"og:image:height\" content=\"1508\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/03\\\/restoration-complete-on-londons-rubens-ceiling\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/03\\\/restoration-complete-on-londons-rubens-ceiling\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Restoration Complete on London\u2019s Rubens Ceiling\",\"datePublished\":\"2026-03-15T14:00:12+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/03\\\/restoration-complete-on-londons-rubens-ceiling\\\/\"},\"wordCount\":682,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/03\\\/restoration-complete-on-londons-rubens-ceiling\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/RubensCeilingJamesdetail.jpg\",\"keywords\":[\"17th century\",\"17th Century Art\",\"17th Century Flemish\",\"London\",\"Old Masters\",\"Rehs Galleries - Art World News\",\"Rubens\"],\"articleSection\":[\"Rehs 19th &amp; 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