{"id":57378,"date":"2026-03-09T10:00:11","date_gmt":"2026-03-09T14:00:11","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=57378"},"modified":"2026-03-09T09:57:36","modified_gmt":"2026-03-09T13:57:36","slug":"lost-rembrandt-receives-attribution","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2026\/03\/lost-rembrandt-receives-attribution\/","title":{"rendered":"Lost Rembrandt Receives Attribution"},"content":{"rendered":"<div id=\"attachment_57379\" style=\"width: 260px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/rembrandt-visione-zaccaria-1.webp\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-57379\" class=\"wp-image-57379 size-medium\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/rembrandt-visione-zaccaria-1-250x300.webp\" alt=\"A 17th century religious painting showing an Israelite priest in a temple.\" width=\"250\" height=\"300\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/rembrandt-visione-zaccaria-1-250x300.webp 250w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/rembrandt-visione-zaccaria-1-852x1024.webp 852w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/rembrandt-visione-zaccaria-1-768x923.webp 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/rembrandt-visione-zaccaria-1-1278x1536.webp 1278w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/rembrandt-visione-zaccaria-1-1704x2048.webp 1704w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/rembrandt-visione-zaccaria-1.webp 1800w\" sizes=\"(max-width: 250px) 100vw, 250px\" \/><\/a><p id=\"caption-attachment-57379\" class=\"wp-caption-text\"><em>Vision of Zechariah in the Temple<\/em> by Rembrandt van Rijn<\/p><\/div>\n<p><span data-preserver-spaces=\"true\">A painting initially dismissed as a copy has officially been confirmed as an original by the Dutch Golden Age master Rembrandt van Rijn.<\/span><\/p>\n<p><em><span data-preserver-spaces=\"true\">Vision<\/span><span data-preserver-spaces=\"true\"> of Zechariah in the Temple <\/span><\/em><span data-preserver-spaces=\"true\">shows<\/span><span data-preserver-spaces=\"true\"> a story from the New Testament, specifically the first chapter of the Gospel according to Luke.<\/span><span data-preserver-spaces=\"true\"> The painting\u2019s main figure is the priest Zechariah, who, while performing his duties in the temple, receives a vision from the Archangel Gabriel. The angel announces that despite his and his wife\u2019s advanced age, they will have a son who will \u201cmake ready for the Lord a people prepared.\u201d Zechariah\u2019s son became John the Baptist, who, as the angel described, became a forerunner to Jesus.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">In the painting, we see Zachariah in his priestly garments poring over a text. The painting captures the moment he is disturbed from his duties by a golden glow emanating from the upper right corner. Rembrandt\u2019s choice to keep the angel out of view is not only an opportunity for the artist to play with light, but it also shows off his mastery of drama <\/span><span data-preserver-spaces=\"true\">even<\/span><span data-preserver-spaces=\"true\"> as a young artist.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">In 1969, <\/span><em><span data-preserver-spaces=\"true\">Vision of Zechariah in the Temple<\/span><\/em><span data-preserver-spaces=\"true\"> was examined by Rembrandt scholar Horst Gerson. He dismissed the painting as a creation of Rembrandt\u2019s workshop, a copy of an original work thought to be lost. Some theorized it may have been created by one of Rembrandt\u2019s contemporaries, such as Jan Lievens or Salomon Koninck. The painting has been in the same private collection since 1961, and has gone unexamined for many decades. <\/span><span data-preserver-spaces=\"true\">However, this changed two years ago, when scholars associated with <\/span><span data-preserver-spaces=\"true\"><a href=\"https:\/\/www.rijksmuseum.nl\/en\/whats-on\/exhibitions\/operation-night-watch\" target=\"_blank\" rel=\"noopener\">the Rijksmuseum&#8217;s research project Operation Night Watch<\/a> were <\/span><span data-preserver-spaces=\"true\">permitted<\/span><span data-preserver-spaces=\"true\"> access to the painting.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Jonathan Bikker, the Rijksmuseum\u2019s curator of seventeenth-century Dutch paintings, claims that Gerson\u2019s dismissal of the painting stems from his <\/span><span data-preserver-spaces=\"true\">not viewing<\/span><span data-preserver-spaces=\"true\"> the work in person, <\/span><span data-preserver-spaces=\"true\">relying<\/span><span data-preserver-spaces=\"true\"> instead on low-resolution images.<\/span><span data-preserver-spaces=\"true\"> A more thorough analysis of the work reveals that the paint matches the pigments <\/span><span data-preserver-spaces=\"true\">used by Rembrandt<\/span><span data-preserver-spaces=\"true\"> in his early career. That data, along with an analysis of the signature and the wooden panel, has allowed researchers to determine that Rembrandt likely painted the work in 1633, when the artist was 27 <\/span><span data-preserver-spaces=\"true\">years old<\/span><span data-preserver-spaces=\"true\">. The subject is also consistent with the artist\u2019s early work, when he frequently used biblical subjects to hone his storytelling skills.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">The owners have decided to loan the painting to the Rijksmuseum for a long-term display, <\/span><em><span data-preserver-spaces=\"true\">offering visitors a rare opportunity to <\/span><\/em><span data-preserver-spaces=\"true\">view this newly authenticated Rembrandt starting Wednesday, March 4th.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A painting initially dismissed as a copy has officially been confirmed as an original by the Dutch Golden Age master Rembrandt van Rijn. Vision of Zechariah in the Temple shows a story from the New Testament, specifically the first chapter &hellip; <a href=\"https:\/\/rehs.com\/eng\/2026\/03\/lost-rembrandt-receives-attribution\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":57379,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[345,612,40,65,58,9,707,1261],"class_list":["post-57378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","tag-17th-century-art","tag-17th-century-dutch","tag-museum-exhibitions","tag-museums","tag-old-masters","tag-rehs-galleries-news","tag-rembrandt","tag-rijksmuseum"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.8 (Yoast SEO v27.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Lost Rembrandt Receives Attribution - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"A painting initially dismissed as a copy has officially been confirmed as an original by the Dutch Golden Age master Rembrandt van Rijn.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2026\/03\/lost-rembrandt-receives-attribution\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Lost Rembrandt Receives Attribution\" \/>\n<meta property=\"og:description\" content=\"A painting initially dismissed as a copy has officially been confirmed as an original by the Dutch Golden Age master Rembrandt van Rijn.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2026\/03\/lost-rembrandt-receives-attribution\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-09T14:00:11+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2026\/03\/rembrandt-visione-zaccaria-1.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1800\" \/>\n\t<meta property=\"og:image:height\" content=\"2163\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/03\\\/lost-rembrandt-receives-attribution\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/03\\\/lost-rembrandt-receives-attribution\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Lost Rembrandt Receives Attribution\",\"datePublished\":\"2026-03-09T14:00:11+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/03\\\/lost-rembrandt-receives-attribution\\\/\"},\"wordCount\":438,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2026\\\/03\\\/lost-rembrandt-receives-attribution\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/rembrandt-visione-zaccaria-1.webp\",\"keywords\":[\"17th Century Art\",\"17th Century Dutch\",\"Museum Exhibitions\",\"museums\",\"Old Masters\",\"Rehs Galleries - Art World News\",\"Rembrandt\",\"Rijksmuseum\"],\"articleSection\":[\"Rehs 19th &amp; 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