{"id":57071,"date":"2025-11-15T08:00:42","date_gmt":"2025-11-15T13:00:42","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=57071"},"modified":"2025-11-14T13:38:54","modified_gmt":"2025-11-14T18:38:54","slug":"painting-of-the-week-miyajima-by-frank-ernest-beresford","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2025\/11\/painting-of-the-week-miyajima-by-frank-ernest-beresford\/","title":{"rendered":"Painting of the Week: Miyajima by Frank Ernest Beresford"},"content":{"rendered":"<div id=\"attachment_57100\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/10\/frank_e_beresford_e1639_miyajima.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-57100\" class=\"wp-image-57100 size-medium\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/10\/frank_e_beresford_e1639_miyajima-300x209.jpg\" alt=\"A landscape of a Japanese island with a pagoda\" width=\"300\" height=\"209\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/10\/frank_e_beresford_e1639_miyajima-300x209.jpg 300w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/10\/frank_e_beresford_e1639_miyajima-1024x715.jpg 1024w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/10\/frank_e_beresford_e1639_miyajima-768x536.jpg 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/10\/frank_e_beresford_e1639_miyajima.jpg 1500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-57100\" class=\"wp-caption-text\"><em>Miyajima<\/em> by Frank Ernest Beresford<\/p><\/div>\n<p><em><span data-preserver-spaces=\"true\">Miyajima<\/span><\/em><span data-preserver-spaces=\"true\"> shows a waterside scene on the titular island in Japan\u2019s Inland Sea. <a href=\"https:\/\/rehs.com\/eng\/bio\/frank-ernest-beresford\/\" target=\"_blank\" rel=\"noopener\">Frank Beresford<\/a> (1881 &#8211; 1967) attended the Royal Academy in London, with his efforts rewarded with scholarships that allowed him to travel extensively, particularly to Asia. Today, the island is better known as Itsukushima and is famous for <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/regex.info\/i\/JEF_038524.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">its Shinto shrine on its northwestern coast<\/span><\/a><span data-preserver-spaces=\"true\">.<\/span><\/p>\n<p><em><span data-preserver-spaces=\"true\">Miyajima<\/span><\/em><span data-preserver-spaces=\"true\"> does not show <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/cdn.gaijinpot.com\/app\/uploads\/sites\/6\/2016\/01\/Miyajima-Floating-shrine.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">the shrine\u2019s iconic \u201cfloating\u201d torii gate<\/span><\/a><span data-preserver-spaces=\"true\"> but instead focuses on two of the location\u2019s other structures. On the left is the Gojunoto, or the <\/span><em><span data-preserver-spaces=\"true\">Temple of the Five Roofs<\/span><\/em><span data-preserver-spaces=\"true\">. In English, it is popularly known as the Five-Tiered Pagoda, and is dedicated to the Yakushi Buddha, the patron of medicine and healing. The structure in Beresford\u2019s painting dates to 1533 and still stands today. To the right of the pagoda is the Senjokaku, the largest building on the island. It is also known as the Toyokuni Pavilion and was originally built as a Buddhist shrine where people could chant sutras for fallen soldiers. However, during attempts to solidify Shinto\u2019s place as Japan\u2019s dominant religion, Emperor Meiji removed the shrine\u2019s Buddhist icons in the 1860s.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">The way that Beresford captures the waterfront shows this part of the temple complex secluded among groves of maple trees. The leaves are mostly green with streaks of yellow, perhaps indicating that it is late summer. Only a handful of boats are bobbing in the water, with minute brushstrokes indicating a few figures mingling among the structures. Beresford likely had to wait until high tide to paint this part of the shrine from the water. Famously, as the tide goes out, the exposed sand forms a path between the shrine\u2019s main building and the torii, <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/muza-chan.net\/aj\/poze-weblog2\/torii-itsukushima-shrine-miyajima-big.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">allowing visitors to walk around the gate<\/span><\/a><span data-preserver-spaces=\"true\"> that would normally protrude from the water. But Beresford\u2019s painting of the shrine from a wide angle, at a distance, gives the scene a bit of mystery. The viewer is somewhat distant from the buildings, reinforcing the artist\u2019s and the audience\u2019s roles as outsiders. It is unknown whether Beresford chose to paint from the water or was forced to by the rules governing foreigners at the shrine. Regardless of the reason, the work seems almost voyeuristic because of the distance. We\u2019re just looking from afar, passing by, trying not to disturb the visitors on the shore before moving on to somewhere else.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Miyajima shows a waterside scene on the titular island in Japan\u2019s Inland Sea. Frank Beresford (1881 &#8211; 1967) attended the Royal Academy in London, with his efforts rewarded with scholarships that allowed him to travel extensively, particularly to Asia. Today, &hellip; <a href=\"https:\/\/rehs.com\/eng\/2025\/11\/painting-of-the-week-miyajima-by-frank-ernest-beresford\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":57100,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[189,1430,888,1382,1431],"class_list":["post-57071","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","tag-20th-century-british-art","tag-asia","tag-japan","tag-painting-of-the-week","tag-shinto"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Painting of the Week: Miyajima by Frank Ernest Beresford - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"Rehs Galleries&#039; Painting of the Week: Frank Beresford&#039;s look at the Shinto shrine on the island of Miyajima, also known as Itsukushima.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2025\/11\/painting-of-the-week-miyajima-by-frank-ernest-beresford\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Painting of the Week: Miyajima by Frank Ernest Beresford\" \/>\n<meta property=\"og:description\" content=\"Rehs Galleries&#039; 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