{"id":57023,"date":"2025-10-22T10:25:18","date_gmt":"2025-10-22T14:25:18","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=57023"},"modified":"2025-10-22T10:25:18","modified_gmt":"2025-10-22T14:25:18","slug":"leonardos-lost-words","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2025\/10\/leonardos-lost-words\/","title":{"rendered":"Leonardo&#8217;s Lost Words"},"content":{"rendered":"<div id=\"attachment_57024\" style=\"width: 215px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/10\/640px-Codex_trivulzianus.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-57024\" class=\"wp-image-57024 size-medium\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/10\/640px-Codex_trivulzianus-205x300.jpg\" alt=\"A page from a 15th-century notebook by Leonardo.\" width=\"205\" height=\"300\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/10\/640px-Codex_trivulzianus-205x300.jpg 205w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/10\/640px-Codex_trivulzianus.jpg 640w\" sizes=\"(max-width: 205px) 100vw, 205px\" \/><\/a><p id=\"caption-attachment-57024\" class=\"wp-caption-text\">A page from Leonardo&#8217;s Trivulziano Codex<\/p><\/div>\n<p><span data-preserver-spaces=\"true\">Through several art installations, a new project in Milan will focus on Leonardo da Vinci, his interest in words, and his impact on the Italian language.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Sabrina D\u2019Alessandro is not a typical artist. Most of her work involves language, specifically studying words that are now rarely used in modern Italian. In 2009, she founded the Ufficio Resurrezione Parole Smarrite, or Lost Words Resurrection Office (URPS), an organization dedicated to preserving parts of the Italian vocabulary that have fallen out of common usage. They educate the public and raise awareness about these words by creating artworks and installations that are displayed in museums and public spaces. D\u2019Alessandro and the URPS have showcased these works worldwide, including in museums and exhibition spaces in Milan, Siena, Vilnius, New York, Seoul, Singapore, and New Delhi. And now, installations and public artworks will not just be housed in a museum, but will be scattered throughout the city of Milan, using words found in Leonardo\u2019s writings.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Leonardo da Vinci left behind many written works. Among them is a notebook called the Trivulziano Codex. This is a document, of which fifty-five of the original sixty-two pages survive, which shows Leonardo\u2019s attempts at self-education. To expand his vocabulary, Leonardo wrote down eight thousand words he found in a variety of different books, the lists accompanied by annotations on their meanings. The codex is now housed in a library within Sforza Castle, the seat of the Dukes of Milan during the fifteenth and sixteenth centuries. In their project, <\/span><em><span data-preserver-spaces=\"true\">Leonardo Parlante<\/span><\/em><span data-preserver-spaces=\"true\">, D\u2019Alessandro and the URPS have created sculptures and installations to be exhibited in the castle courtyards starting on November 1st. For the castle\u2019s Courtyard of Arms, they created the word <\/span><em><span data-preserver-spaces=\"true\">salvatica<\/span><\/em><span data-preserver-spaces=\"true\"> in large block letters made from terracotta, with related words carved into it. The word itself has more than one meaning, according to Leonardo. It is related to the modern Italian word <\/span><em><span data-preserver-spaces=\"true\">selvatico<\/span><\/em><span data-preserver-spaces=\"true\">, meaning wild or related to nature. However, Leonardo also wrote that the word refers to something that is saved, linking it to the concept of salvation. The castle\u2019s Ducal Courtyard will feature two additional installations: the word <\/span><em><span data-preserver-spaces=\"true\">\u201cpurit\u00e0<\/span><\/em><span data-preserver-spaces=\"true\">\u201d made from terracotta, similar to <\/span><em><span data-preserver-spaces=\"true\">salvatica<\/span><\/em><span data-preserver-spaces=\"true\">. <\/span><span data-preserver-spaces=\"true\">Meanwhile<\/span><span data-preserver-spaces=\"true\">, <\/span><em><span data-preserver-spaces=\"true\">vanagroria<\/span><\/em><span data-preserver-spaces=\"true\"> will be made out of polished steel. The former is an uncommon variant of <\/span><em><span data-preserver-spaces=\"true\">purezza<\/span><\/em><span data-preserver-spaces=\"true\">, meaning purity, while the latter is an archaic spelling of <\/span><em><span data-preserver-spaces=\"true\">vanagloria<\/span><\/em><span data-preserver-spaces=\"true\">, or vainglory. Both of these words will be placed at opposite ends of the courtyard\u2019s central reflecting pool. It may be confusing how these words can be appropriately represented as sculptures using materials associated with their antonyms. However, <\/span><em><span data-preserver-spaces=\"true\">purit\u00e0<\/span><\/em><span data-preserver-spaces=\"true\"> being made of a form of clay and its placement by the reflecting pool is a reference to Leonardo\u2019s writings on elephants. He once remarked that elephants are noble, honest animals. They \u201cgo down to the rivers, and there, solemnly cleansing themselves, they bathe, and so, having saluted the planet, return to the woods.\u201d The terracotta sculpture, therefore, resembles the backs of elephants, caked with dust, ready to be washed away, purifying the animal like a ritual ablution. Meanwhile, the material and placement of <\/span><em><span data-preserver-spaces=\"true\">Vanagroria<\/span><\/em><span data-preserver-spaces=\"true\"> is a commentary on vanity and the potential for self-reflection.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Along with the installations at Sforza Castle, D\u2019Alessandro and the URPS plan to create <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/cdn.finestresullarte.info\/rivista\/immagini\/2025\/fn\/sabrina-d-alessandro-affissioni-leonardoparlanti.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">posters and other works that will be displayed throughout Milan<\/span><\/a><span data-preserver-spaces=\"true\">. These posters will feature words from the Trivulziano Codex accompanied by a brief quote from Leonardo, turning Milan into \u201ca great philosophical and visual text that invites us to rediscover the riches of our language and reflect on themes such as knowledge, experiences, life, and freedom.\u201d D&#8217;Alessandro&#8217;s work demonstrates how Leonardo&#8217;s writings have preserved vocabulary and other language forms that would have otherwise been lost to scholars and artists alike. The research behind <em>Leonardo Parlante<\/em> earned D\u2019Alessandro a residency at the Casa degli Artisti in Milan, with some of her other work featured in the National Museum of Contemporary Photography\u2019s <\/span><em><span data-preserver-spaces=\"true\">Scrittura obliqua <\/span><\/em><span data-preserver-spaces=\"true\">exhibition. <\/span><span data-preserver-spaces=\"true\">The installations at Sforza Castle and the posters <\/span><span data-preserver-spaces=\"true\">put up<\/span><span data-preserver-spaces=\"true\"> around Milan will be on view <\/span><span data-preserver-spaces=\"true\">between<\/span><span data-preserver-spaces=\"true\"> November 1st <\/span><span data-preserver-spaces=\"true\">and<\/span><span data-preserver-spaces=\"true\"> January 31st<\/span><span data-preserver-spaces=\"true\">.<\/span><span data-preserver-spaces=\"true\"> On November 13th, Leonardo Parlante will be the subject of a discussion as part of the BookCity literary festival.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Through several art installations, a new project in Milan will focus on Leonardo da Vinci, his interest in words, and his impact on the Italian language. Sabrina D\u2019Alessandro is not a typical artist. Most of her work involves language, specifically &hellip; <a href=\"https:\/\/rehs.com\/eng\/2025\/10\/leonardos-lost-words\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":57024,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[514,872,429,1417,541,1418,120,58,11,85],"class_list":["post-57023","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","category-rehs-contemporary","tag-15th-century","tag-15th-century-italian","tag-contemporary-art","tag-leonardo","tag-leonardo-da-vinci","tag-milan","tag-modern-art","tag-old-masters","tag-rehs-contemporary-news","tag-sculpture"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Leonardo&#039;s Lost Words - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"A new project in Milan will focus on Leonardo da Vinci, his interest in words, and his impact on the Italian language.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2025\/10\/leonardos-lost-words\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Leonardo&#039;s Lost Words\" \/>\n<meta property=\"og:description\" content=\"A new project in Milan will focus on Leonardo da Vinci, his interest in words, and his impact on the Italian language.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2025\/10\/leonardos-lost-words\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2025-10-22T14:25:18+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/10\/640px-Codex_trivulzianus.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"937\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"4 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2025\\\/10\\\/leonardos-lost-words\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2025\\\/10\\\/leonardos-lost-words\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Leonardo&#8217;s Lost Words\",\"datePublished\":\"2025-10-22T14:25:18+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2025\\\/10\\\/leonardos-lost-words\\\/\"},\"wordCount\":721,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2025\\\/10\\\/leonardos-lost-words\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/640px-Codex_trivulzianus.jpg\",\"keywords\":[\"15th century\",\"15th Century Italian\",\"Contemporary art\",\"Leonardo\",\"Leonardo da Vinci\",\"Milan\",\"Modern Art\",\"Old Masters\",\"Rehs Contemporary - Art World News\",\"Sculpture\"],\"articleSection\":[\"Rehs 19th &amp; 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