{"id":56942,"date":"2025-09-04T12:51:05","date_gmt":"2025-09-04T16:51:05","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=56942"},"modified":"2025-09-04T12:51:05","modified_gmt":"2025-09-04T16:51:05","slug":"which-is-the-real-vermeer","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2025\/09\/which-is-the-real-vermeer\/","title":{"rendered":"Which Is The Real Vermeer?"},"content":{"rendered":"<div id=\"attachment_56943\" style=\"width: 240px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/09\/Johannes_Vermeer_-_The_Guitar_Player_ca._1672.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-56943\" class=\"wp-image-56943\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/09\/Johannes_Vermeer_-_The_Guitar_Player_ca._1672-258x300.jpg\" alt=\"A woman in an ermine-lined coat playing a guitar.\" width=\"230\" height=\"267\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/09\/Johannes_Vermeer_-_The_Guitar_Player_ca._1672-258x300.jpg 258w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/09\/Johannes_Vermeer_-_The_Guitar_Player_ca._1672.jpg 640w\" sizes=\"(max-width: 230px) 100vw, 230px\" \/><\/a><p id=\"caption-attachment-56943\" class=\"wp-caption-text\"><em>The Guitar Player<\/em> by Johannes Vermeer (Kenwood Version)<\/p><\/div>\n<p><span data-preserver-spaces=\"true\">A new exhibition in London seeks to reopen the debate regarding two nearly identical paintings, one by Johannes Vermeer and the other allegedly a copy. But some claim that the alleged copy is, in fact, an original Vermeer.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">London\u2019s Kenwood House is a museum and former stately home that now serves as an exhibition space. Previously, they hosted a show <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/rehs.com\/eng\/2025\/01\/sargents-dollar-princesses\/\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">centering on the paintings of John Singer Sargent and his portraits of American Dollar Princesses<\/span><\/a><span data-preserver-spaces=\"true\">. And now, from September 1st to January 11th, it will host <\/span><em><span data-preserver-spaces=\"true\">Double Vision<\/span><\/em><span data-preserver-spaces=\"true\">, a new exhibition focusing on <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/news.artnet.com\/app\/news-upload\/2025\/09\/Double-Vision-Vermeer-exhibition-at-Kenwood-House-31-1024x683.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Vermeer\u2019s 1672 painting <\/span><\/a><em><a class=\"editor-rtfLink\" href=\"https:\/\/news.artnet.com\/app\/news-upload\/2025\/09\/Double-Vision-Vermeer-exhibition-at-Kenwood-House-31-1024x683.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">The Guitar Player<\/span><\/a><\/em><a class=\"editor-rtfLink\" href=\"https:\/\/news.artnet.com\/app\/news-upload\/2025\/09\/Double-Vision-Vermeer-exhibition-at-Kenwood-House-31-1024x683.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\"> and its mysterious twin<\/span><\/a><span data-preserver-spaces=\"true\">. It is the first time that the two paintings are being displayed side-by-side. The supposed original is part of Kenwood House\u2019s collection, while the Philadelphia Museum of Art owns the copy. The debate surrounding the Philadelphia version\u2019s authorship was reignited in 2023 when Rijksmuseum specialist Arie Wallert claimed that the Philadelphia painting <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/rehs.com\/eng\/2023\/04\/possible-vermeer-in-philadelphia\/\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">is likely an original work by the artist<\/span><\/a><span data-preserver-spaces=\"true\">. His evidence includes a specific pigment used in the painting, lead-tin yellow, which would have fallen out of use among Western European artists at the beginning of the eighteenth century. The main reason many consider the Kenwood painting to be the original is its relatively good condition upon its rediscovery in 1927.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">There are two primary differences between the paintings: first, the Kenwood version is signed, while the Philadelphia version is not. Second is the subject\u2019s hair, with the Kenwood painting having it styled into ringlets, while the Philadelphia version has her hair worn up in a sort of crown braid. Specialists from the Philadelphia Museum of Art, Washington DC\u2019s National Gallery of Art, and Kenwood House have not released a final report yet, but they have some preliminary findings. The Kenwood version, for example, was prepared using a light greyish brown made from a combination of white lead, chalk, and earth-tone pigments. The Philadelphia version, meanwhile, uses a darker brown, mainly made from burnt umber. The Philadelphia painting also uses indigo, which was much cheaper than Vermeer\u2019s preferred blue pigment, ultramarine. Former Rijksmuseum fine arts director Gregor Weber has also weighed in, examining the hairstyle of the paintings\u2019 respective subjects. While some speculate that both paintings are by Vermeer, Weber insists that the hairstyle of the Philadelphia version indicates that it is a copy, albeit a very early copy. The hair has been changed to modernize the painting\u2019s appearance, since the Philadelphia version shows the woman \u201ca style starting around 1680 as can be seen in several portraits of fashionable women by Jan Verkolje in Delft, Nicolaes Maes in Amsterdam and others.\u201d<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Wendy Monkhouse, the senior curator at Kenwood House, describes the new exhibition as \u201ca rather beautiful confusion\u201d for visitors. The show not only presents the expert analysis of the two paintings but also encourages each visitor to draw their own conclusions. The public&#8217;s involvement in not just art&#8217;s appreciation but its study and scholarship is the central idea behind the exhibition&#8217;s layout. The final report on the expert analysis is due to be released in the next few months, adding to the anticipation and excitement.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A new exhibition in London seeks to reopen the debate regarding two nearly identical paintings, one by Johannes Vermeer and the other allegedly a copy. But some claim that the alleged copy is, in fact, an original Vermeer. London\u2019s Kenwood &hellip; <a href=\"https:\/\/rehs.com\/eng\/2025\/09\/which-is-the-real-vermeer\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":56943,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[524,345,612,105,40,65,58,9,772],"class_list":["post-56942","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","tag-17th-century","tag-17th-century-art","tag-17th-century-dutch","tag-london","tag-museum-exhibitions","tag-museums","tag-old-masters","tag-rehs-galleries-news","tag-vermeer"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Which Is The Real Vermeer? - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"A new exhibition seeks to reopen the debate regarding two nearly identical paintings, one by Johannes Vermeer and the other allegedly a copy.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2025\/09\/which-is-the-real-vermeer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Which Is The Real Vermeer?\" \/>\n<meta property=\"og:description\" content=\"A new exhibition seeks to reopen the debate regarding two nearly identical paintings, one by Johannes Vermeer and the other allegedly a copy.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2025\/09\/which-is-the-real-vermeer\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2025-09-04T16:51:05+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/09\/Johannes_Vermeer_-_The_Guitar_Player_ca._1672.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"640\" \/>\n\t<meta property=\"og:image:height\" content=\"744\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2025\\\/09\\\/which-is-the-real-vermeer\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2025\\\/09\\\/which-is-the-real-vermeer\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Which Is The Real Vermeer?\",\"datePublished\":\"2025-09-04T16:51:05+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2025\\\/09\\\/which-is-the-real-vermeer\\\/\"},\"wordCount\":548,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2025\\\/09\\\/which-is-the-real-vermeer\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2025\\\/09\\\/Johannes_Vermeer_-_The_Guitar_Player_ca._1672.jpg\",\"keywords\":[\"17th century\",\"17th Century Art\",\"17th Century Dutch\",\"London\",\"Museum Exhibitions\",\"museums\",\"Old Masters\",\"Rehs Galleries - Art World News\",\"vermeer\"],\"articleSection\":[\"Rehs 19th &amp; 20th\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2025\\\/09\\\/which-is-the-real-vermeer\\\/\",\"url\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2025\\\/09\\\/which-is-the-real-vermeer\\\/\",\"name\":\"Which Is The Real Vermeer? 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