{"id":56867,"date":"2025-08-07T07:10:43","date_gmt":"2025-08-07T11:10:43","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=56867"},"modified":"2025-08-05T17:17:39","modified_gmt":"2025-08-05T21:17:39","slug":"painting-of-the-week-leon-richets-marguerite","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2025\/08\/painting-of-the-week-leon-richets-marguerite\/","title":{"rendered":"Painting Of The Week: L\u00e9on Richet\u2019s Marguerite"},"content":{"rendered":"<div id=\"attachment_56868\" style=\"width: 204px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/08\/leon_richet_e1131_marguerite.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-56868\" class=\"wp-image-56868 \" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/08\/leon_richet_e1131_marguerite-201x300.jpg\" alt=\"A full-length portrait of a French peasant girl holding flowers.\" width=\"194\" height=\"290\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/08\/leon_richet_e1131_marguerite-201x300.jpg 201w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/08\/leon_richet_e1131_marguerite-685x1024.jpg 685w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/08\/leon_richet_e1131_marguerite-768x1148.jpg 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2025\/08\/leon_richet_e1131_marguerite.jpg 1019w\" sizes=\"(max-width: 194px) 100vw, 194px\" \/><\/a><p id=\"caption-attachment-56868\" class=\"wp-caption-text\"><em>Marguerite<\/em> by L\u00e9on Richet<\/p><\/div>\n<p><span data-preserver-spaces=\"true\">While nineteenth-century paintings of French peasants often show them amid their work against a pastoral background, that cannot exactly be said about <a href=\"https:\/\/rehs.com\/eng\/bio\/leon-richet\/\" target=\"_blank\" rel=\"noopener\">L\u00e9on Richet<\/a>\u2019s <\/span><em><span data-preserver-spaces=\"true\">Marguerite<\/span><\/em><span data-preserver-spaces=\"true\">.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">This is a rather rare work for the artist, as he was considered more of a landscape painter. Yet influence from the Barbizon landscape painters can be seen throughout. Here, the artist gives us a large, full-length portrait of the titular peasant girl. Richet created this painting in 1881 and had it exhibited at that year\u2019s Salon. He would not gain recognition from the Salon\u2019s juries for another few years, receiving his first honorable mention in 1885 and his first medal in 1888. Although he had not received his accolades at the time of creating <\/span><em><span data-preserver-spaces=\"true\">Marguerite<\/span><\/em><span data-preserver-spaces=\"true\">, the audience can see how Richet builds on the revolutionary new styles that flourished during his lifetime. In the painting, the girl looks up, staring directly at the viewer, while in the middle of inspecting some flowers she\u2019s just collected. It\u2019s a private moment in which the audience has become somewhat of an intruder. The background shows influence from <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/rehs.com\/eng\/2024\/07\/the-barbizon-school-tree-huggers-trailblazers\/\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">the Barbizon painters of the mid-nineteenth century<\/span><\/a><span data-preserver-spaces=\"true\">, emphasizing landscape painting and the use of looser brushstrokes. However, the focus on the peasant girl indicates Richet looking to the Realist school of painting <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/rehs.com\/eng\/2024\/06\/gustave-courbets-revolutionary-life-in-5-paintings\/\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">as pioneered by Gustave Courbet<\/span><\/a><span data-preserver-spaces=\"true\">. Her simple outfit and wooden shoes fastened with leather straps, similar to those worn by the subjects of Courbet\u2019s 1849 painting <\/span><em><a class=\"editor-rtfLink\" href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/05\/Gustave_Courbet_-_The_Stonebreakers_-_WGA05457.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">The Stone Breakers<\/span><\/a><\/em><span data-preserver-spaces=\"true\">, are evidence of her incredibly humble status.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">The influence of Realist art can also <\/span><span data-preserver-spaces=\"true\">be seen<\/span><span data-preserver-spaces=\"true\"> in the work\u2019s size. Richet&#8217;s <\/span><em><span data-preserver-spaces=\"true\">Marguerite<\/span><\/em><span data-preserver-spaces=\"true\"> measures over five feet by three-and-a-half feet, a canvas size typically only reserved for portraiture of aristocrats and other wealthy patrons. The paintings of <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/e\/eb\/Sir_Joshua_Reynolds_-_Lady_Elizabeth_Delm%C3%A9_and_Her_Children_-_Google_Art_Project.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Joshua Reynolds<\/span><\/a><span data-preserver-spaces=\"true\"> and <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/static.mfah.com\/images\/romney--portrait-of-mrs-andrew-reid.2534182255018159452.jpg?width=834\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">George Romney<\/span><\/a><span data-preserver-spaces=\"true\"> come to mind, as does the portraiture of <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/img.washingtonpost.com\/wp-apps\/imrs.php?src=https:\/\/arc-anglerfish-washpost-prod-washpost.s3.amazonaws.com\/public\/YSLRCXU4T5BJBPBYTOOHGBPSAM.jpg&amp;w=1800\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Jean-Auguste-Dominique Ingres<\/span><\/a><span data-preserver-spaces=\"true\">. <\/span><span data-preserver-spaces=\"true\">This<\/span><span data-preserver-spaces=\"true\">, however, is taking the lowly and ordinary and representing it on the same size and scale as the lofty and extraordinary. It\u2019s the same idea behind why Courbet often used incredibly large canvases relative to the subjects of his work. Though created more than forty years after Courbet and the Barbizon painters created their first masterworks, their legacy is evident in the works of later painters like L\u00e9on Richet.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>While nineteenth-century paintings of French peasants often show them amid their work against a pastoral background, that cannot exactly be said about L\u00e9on Richet\u2019s Marguerite. This is a rather rare work for the artist, as he was considered more of &hellip; <a href=\"https:\/\/rehs.com\/eng\/2025\/08\/painting-of-the-week-leon-richets-marguerite\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":56869,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[384,146,1271,74,154,68,75,523,1145],"class_list":["post-56867","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","tag-19th-century-european","tag-19th-century-french","tag-barbizon","tag-french-academic","tag-french-barbizon","tag-french-realist","tag-paris-salon","tag-portrait","tag-salon"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Painting Of The Week: L\u00e9on Richet\u2019s Marguerite - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"Rehs Galleries&#039; 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