{"id":54288,"date":"2024-06-13T13:41:31","date_gmt":"2024-06-13T17:41:31","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=54288"},"modified":"2024-06-13T13:41:31","modified_gmt":"2024-06-13T17:41:31","slug":"christies-paris-old-masters-sale","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2024\/06\/christies-paris-old-masters-sale\/","title":{"rendered":"Christie&#8217;s Paris Old Masters Sale"},"content":{"rendered":"<div id=\"attachment_54289\" style=\"width: 240px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.31.31-PM.png\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-54289\" class=\"wp-image-54289\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.31.31-PM-262x300.png\" alt=\"An 18th century still-life painting of a sliced melon on a table surrounded by various other objects.\" width=\"230\" height=\"263\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.31.31-PM-262x300.png 262w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.31.31-PM-893x1024.png 893w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.31.31-PM-768x880.png 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.31.31-PM.png 1134w\" sizes=\"(max-width: 230px) 100vw, 230px\" \/><\/a><p id=\"caption-attachment-54289\" class=\"wp-caption-text\"><em>Le melon entam\u00e9<\/em> by Jean Sim\u00e9on Chardin<\/p><\/div>\n<p><span data-preserver-spaces=\"true\">Normally, there wouldn\u2019t be much to write about for the Old Masters sale at Christie\u2019s in Paris on Wednesday, June 12th. However, when looking at all the numbers, something might seem a bit confusing. Nearly 40% of the lots went unsold. Yet how did it make almost double the amount of money specialists initially expected?<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">The Ma\u00eetres Anciens sale on Wednesday featured thirty-seven lots, showcasing a wide variety of work, from fifteenth-century religious art to paintings by John Herring Sr. And J.A.D. Ingres. However, it was an eighteenth-century French painting that dominated, and now we see why the sale went so well. Christie\u2019s specialists describe the 1760 still-life <\/span><em><span data-preserver-spaces=\"true\">Le Melon entam\u00e9<\/span><\/em><span data-preserver-spaces=\"true\"> by Jean Sim\u00e9on Chardin as a masterpiece of the artist\u2019s late career. Chardin was one of the great French still-life painters of the eighteenth century and influenced later generations of artists like the Impressionists. The painting itself has an impressive provenance, with previous owners including Guillaume-Jean Constantin, the curator of Empress Josephine\u2019s art collection. Since 1876, it has been part of the collection of the French branch of the Rothschild family. The current owners are the descendants of Baron Henri James Nathaniel de Rothschild, who owned the painting from 1899 to 1947. With an estimate range of \u20ac8 million to \u20ac12 million, <\/span><em><span data-preserver-spaces=\"true\">Le Melon entam\u00e9<\/span><\/em> <span data-preserver-spaces=\"true\">was set<\/span><span data-preserver-spaces=\"true\"> to become one of the most valuable Chardin paintings ever sold at auction. The last time a quality work by Chardin sold at auction was at Artcurial in March 2022, when <\/span><em><a class=\"editor-rtfLink\" href=\"https:\/\/www.museumtv.art\/wp-content\/uploads\/2021\/07\/Analyse-Le-panier-de-fraises-des-bois-de-Chardin-1-1.png\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Le panier des fraises des bois<\/span><\/a><\/em><span data-preserver-spaces=\"true\"> sold for \u20ac24.38 million w\/p. Had <\/span><em><span data-preserver-spaces=\"true\">Le Melon entam\u00e9<\/span><\/em><span data-preserver-spaces=\"true\"> sold within its estimate, the sale would have still done well in terms of the amount of money Christie initially predicted and might have been the second most valuable work by the artist sold at auction. However, a bidding war broke out, with several buyers pushing it well past the estimate. The hammer eventually came down at \u20ac23 million \/ $24.9 million (or \u20ac26.7 million \/ $28.9 million w\/p), making it the most expensive work by the artist sold at auction.<\/span><\/p>\n<div id=\"attachment_54290\" style=\"width: 219px\" class=\"wp-caption alignright\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.55.30-PM.png\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-54290\" class=\"wp-image-54290\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.55.30-PM-237x300.png\" alt=\"A portrait of a young woman in a red turban.\" width=\"209\" height=\"265\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.55.30-PM-237x300.png 237w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.55.30-PM-810x1024.png 810w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.55.30-PM-768x971.png 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.55.30-PM-109x138.png 109w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.55.30-PM.png 1024w\" sizes=\"(max-width: 209px) 100vw, 209px\" \/><\/a><p id=\"caption-attachment-54290\" class=\"wp-caption-text\"><em>L&#8217;Odalisque<\/em> by Anne-Louis Girodet-Trioson<\/p><\/div>\n<p><span data-preserver-spaces=\"true\">The rest of the sale was peanuts compared to the Chardin. However, many of the works that sold still did fairly well. In second place was <\/span><em><span data-preserver-spaces=\"true\">L\u2019Odalisque<\/span><\/em><span data-preserver-spaces=\"true\"> by Anne-Louis Girodet-Trioson, a pupil of Jacques-Louis David. Though an <\/span><em><span data-preserver-spaces=\"true\">odalisque<\/span><\/em><span data-preserver-spaces=\"true\"> was just the term used for a chambermaid for Ottoman Turkish harems, the word in the West came to refer to the concubines themselves. Paintings of <\/span><em><span data-preserver-spaces=\"true\">odalisques<\/span><\/em><span data-preserver-spaces=\"true\"> became rather popular among Orientalist artists in France, but they almost always served as erotic paintings. Nineteenth-century painters like <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/4\/4a\/Jean_Auguste_Dominique_Ingres%2C_La_Grande_Odalisque%2C_1814.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Jean-Auguste-Dominique Ingres<\/span><\/a><span data-preserver-spaces=\"true\">, <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/6\/65\/Delacroix_-_Odalisque%2C_RF1658.jpg\/640px-Delacroix_-_Odalisque%2C_RF1658.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Eug\u00e8ne Delacroix<\/span><\/a><span data-preserver-spaces=\"true\">, <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/1\/12\/Jean-L%C3%A9on_G%C3%A9r%C3%B4me_-_Odalisque_-_Appleton_Museum.jpg\/640px-Jean-L%C3%A9on_G%C3%A9r%C3%B4me_-_Odalisque_-_Appleton_Museum.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Jean-L\u00e9on G\u00e9r\u00f4me<\/span><\/a><span data-preserver-spaces=\"true\">, and <\/span><a class=\"editor-rtfLink\" href=\"https:\/\/m.media-amazon.com\/images\/I\/51VxNSOAGbL._AC_UF894,1000_QL80_.jpg\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Frederick Arthur Bridgman<\/span><\/a><span data-preserver-spaces=\"true\"> all abided by this tradition. However, Girodet\u2019s odalisque breaks this standard, opting instead for an intimate portrait of a Turkish chambermaid in a patterned turban. Like the Chardin, <\/span><em><span data-preserver-spaces=\"true\">L\u2019Odalisque<\/span><\/em><span data-preserver-spaces=\"true\"> also sold above its estimate, becoming one of the sale\u2019s surprises. Predicted by Christie\u2019s to sell for no more than \u20ac120K, <\/span><em><span data-preserver-spaces=\"true\">L\u2019Odalisque<\/span><\/em><span data-preserver-spaces=\"true\"> hammered at \u20ac300K \/ $324.8K (or \u20ac378K \/ $409.3K w\/p), or two-and-a-half times its presale high estimate.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">While <\/span><em><span data-preserver-spaces=\"true\">L\u2019Odalisque<\/span><\/em><span data-preserver-spaces=\"true\"> immediately preceded the Chardin, the sale\u2019s third-place lot came immediately after. Jean-Antoine Watteau\u2019s painting <\/span><em><span data-preserver-spaces=\"true\">L\u2019alliance de la Musique et de la Com\u00e9die<\/span><\/em><span data-preserver-spaces=\"true\"> stands out among the still-lifes and portraits as more allegorical. Meaning <\/span><em><span data-preserver-spaces=\"true\">The Alliance of Music and Comedy<\/span><\/em><span data-preserver-spaces=\"true\">, the painting looks almost like a rendering of a coat of arms, with a central escutcheon and two supporters in the form of females in Greco-Roman-style robes. The figures represent music and comedy as their classical muses, Thalia and Terpsichore. The central shield, surrounded by sheet music and instruments, contains musical notes and a theatrical mask. Everything is topped by a man\u2019s head, likely that of the French stock character Crispin, related to the <\/span><em><span data-preserver-spaces=\"true\">commedia dell\u2019arte<\/span><\/em><span data-preserver-spaces=\"true\"> character Scaramouche. While mythological figures and allegories were not new subjects for the time, the themes in the painting are so specific that specialists have deduced that this was a commission from a particular client of Watteau\u2019s. The painting last sold at Sotheby\u2019s Paris in October 2022 for \u20ac480K hammer (or \u20ac604.8K w\/p). <\/span><span data-preserver-spaces=\"true\">This<\/span><span data-preserver-spaces=\"true\"> means that, though it was one of the top lots on Wednesday, it took a slight dip in value after selling for just \u20ac280K \/ $303.2K (or \u20ac352.8K \/ $382K w\/p).<\/span><\/p>\n<div id=\"attachment_54292\" style=\"width: 212px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.55.48-PM.png\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-54292\" class=\"wp-image-54292\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.55.48-PM-251x300.png\" alt=\"A coat of arms with a green shield and two female figures in Greco-Roman robes on either side.\" width=\"202\" height=\"241\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.55.48-PM-251x300.png 251w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.55.48-PM-858x1024.png 858w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.55.48-PM-768x916.png 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.55.48-PM.png 1088w\" sizes=\"(max-width: 202px) 100vw, 202px\" \/><\/a><p id=\"caption-attachment-54292\" class=\"wp-caption-text\"><em>L&#8217;alliance de la Musique et de la Com\u00e9die<\/em> by Jean-Antoine Watteau<\/p><\/div>\n<p><span data-preserver-spaces=\"true\">There were only a few surprises at Christie\u2019s on Wednesday, one being the Girodet painting. However, the biggest surprise to sell exponentially beyond its high estimate was the sale\u2019s very first lot. <\/span><em><a class=\"editor-rtfLink\" href=\"https:\/\/www.christies.com\/img\/lotimages\/2024\/PAR\/2024_PAR_22507_0001_000(hubert_robert_personnages_dans_une_galerie_antique045043).jpg?mode=max\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Personnages dans une galerie antique<\/span><\/a><\/em><span data-preserver-spaces=\"true\"> by Hubert Robert dates to the artist\u2019s early career in the 1760s. It shows a smattering of figures in vaguely Greco-Roman dress set against a backdrop of classical architecture. The setting does not match any specific place. Rather, Robert created this fictional structure <\/span><span data-preserver-spaces=\"true\">to serve<\/span><span data-preserver-spaces=\"true\"> as a ruin around which people live their lives, a subject that the artist would return to frequently. Estimated to sell for no more than \u20ac60K, <\/span><em><span data-preserver-spaces=\"true\">Personnages dans une galerie antique <\/span><\/em><span data-preserver-spaces=\"true\">worked its way up to sell for \u20ac180K \/ $194.9K (or \u20ac226.8K \/ $245.6K w\/p), or three times the high estimate.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">With thirty-seven available lots,\u00a0Christie\u2019s predicted the entire sale to bring in \u20ac14.8 million at most. The final hammer price ended up being \u20ac24.89 million \/ $26.9 million (or \u20ac29.1 million \/ $31.5 million w\/p), or about 68% higher than expected. However, one must remember that the Chardin still life comprised 92% of the sale\u2019s total. It would have made up a large percentage of the sale\u2019s total regardless of how much it sold for. Therefore, part of the sales success relied entirely on that one painting. But while Christie\u2019s made a relatively surprising amount of money from this one sale, the other numbers are slightly more disappointing. Of the thirty-seven lots, fourteen did not generate sufficient interest to sell, giving Christie\u2019s a 62% sell-through rate. Only eight lots (22%) sold within their estimates, with an equal number selling above and seven (19%) selling below. Without the Chardin, the sale still would have done well in terms of the money it made, but that is only because of the lots that sold for greatly over their estimates, like the Girodet and the Robert.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Normally, there wouldn\u2019t be much to write about for the Old Masters sale at Christie\u2019s in Paris on Wednesday, June 12th. However, when looking at all the numbers, something might seem a bit confusing. Nearly 40% of the lots went &hellip; <a href=\"https:\/\/rehs.com\/eng\/2024\/06\/christies-paris-old-masters-sale\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":54289,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[773,867,384,146,207,20,416,15,74,159,107,58,523,11,9],"class_list":["post-54288","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","category-rehs-contemporary","tag-18th-century-art","tag-18th-century-french-art","tag-19th-century-european","tag-19th-century-french","tag-auction-news","tag-auction-results","tag-christies","tag-comments-on-the-art-market","tag-french-academic","tag-french-still-life","tag-landscapes","tag-old-masters","tag-portrait","tag-rehs-contemporary-news","tag-rehs-galleries-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Christie&#039;s Paris Old Masters Sale - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"On June 12th, Christie&#039;s Paris hosted its Old Masters sale, featuring a still-life painting that caught everyone&#039;s attention.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2024\/06\/christies-paris-old-masters-sale\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Christie&#039;s Paris Old Masters Sale\" \/>\n<meta property=\"og:description\" content=\"On June 12th, Christie&#039;s Paris hosted its Old Masters sale, featuring a still-life painting that caught everyone&#039;s attention.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2024\/06\/christies-paris-old-masters-sale\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2024-06-13T17:41:31+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/06\/Screenshot-2024-06-12-at-12.31.31-PM.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1134\" \/>\n\t<meta property=\"og:image:height\" content=\"1300\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2024\\\/06\\\/christies-paris-old-masters-sale\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2024\\\/06\\\/christies-paris-old-masters-sale\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Christie&#8217;s Paris Old Masters Sale\",\"datePublished\":\"2024-06-13T17:41:31+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2024\\\/06\\\/christies-paris-old-masters-sale\\\/\"},\"wordCount\":1088,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2024\\\/06\\\/christies-paris-old-masters-sale\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2024\\\/06\\\/Screenshot-2024-06-12-at-12.31.31-PM.png\",\"keywords\":[\"18th Century Art\",\"18th Century French Art\",\"19th Century European\",\"19th Century French\",\"Auction News\",\"Auction Results\",\"christie's\",\"Comments on the Art Market\",\"French Academic\",\"French Still Life\",\"Landscapes\",\"Old Masters\",\"portrait\",\"Rehs Contemporary - Art World News\",\"Rehs Galleries - Art World News\"],\"articleSection\":[\"Rehs 19th &amp; 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