{"id":53445,"date":"2024-04-11T12:38:50","date_gmt":"2024-04-11T16:38:50","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=53445"},"modified":"2024-04-11T12:38:50","modified_gmt":"2024-04-11T16:38:50","slug":"christies-paris-impressionist-oeuvres-choisies","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2024\/04\/christies-paris-impressionist-oeuvres-choisies\/","title":{"rendered":"Christie’s Paris Impressionist “Oeuvres Choisies”"},"content":{"rendered":"
\"A<\/a>

Matisse et Terrus<\/em> by Andr\u00e9 Derain<\/p><\/div>\n

On Tuesday, April 9th, Christie\u2019s Paris hosted the first Impressionist sale that will be all the buzz the rest of the week. They started with their \u201coeuvres choisies,\u201d or select works, a collection of twenty-three paintings and sculptures from prominent nineteenth and twentieth-century European modernists like Sisley, Matisse, and Chagall. Unfortunately, no one could watch the sale online thanks to a technical malfunction with Christie\u2019s Live, which the support staff seemed unable to fix for the entire forty-five-minute duration of the auction. I could record the results and calculate the hammer prices, but it didn\u2019t really have the same excitement it normally would have. <\/span>With these sorts of sales, a prominent Impressionist like Renoir usually claims the top. However, the Tuesday sale took a surprising turn. This time, it was Fauvism that stole the spotlight with Andr\u00e9 Derain\u2019s painting <\/span>Matisse et Terrus<\/i>. Christie\u2019s specialists seemed to understand the value of the work since it was the only lot valued at over \u20ac1 million. The painting was created when the three artists spent time with each other in the summer of 1905, at the height of the Fauvist movement. Matisse, along with Derain, was one of the leading Fauvist painters. Terrus, meanwhile, was mainly known as a landscape painter from the far south of France, near the border with Spain. Some may be more familiar with Terrus as the namesake of the Mus\u00e9e Terrus, which came into the news in 2018 after a visiting art historian concluded that over half of the museum’s contents may be fakes<\/a>. Derain gifted the work to Terrus, whose descendants kept it in close to perfect condition for over a century. In terms of fauvist art, Derain\u2019s paintings are definitely more rare compared to other artists like Matisse. The roughly 16-by-21.5 inch oil on canvas painting was predicted to sell for between \u20ac2 million and \u20ac3 million, with the hammer coming down at \u20ac2.6 million \/ $2.8 million (\u20ac3.19 million \/ $3.47 million w\/p).<\/span><\/p>\n

\"A<\/a>

Le Concert Champ\u00eatre<\/em> by Fran\u00e7oise Gilot<\/p><\/div>\n

Immediately after the Derain came the second place lot, though few people would\u2019ve guessed it. Christie\u2019s specialists seemed to think that one of the Sisley paintings or perhaps the lone Pissarro might make it to the top three. However, it ended up being one of the sale\u2019s two women who took second place. Fran\u00e7oise Gilot\u2019s oil on panel painting <\/span>Le Concert Champ\u00eatre<\/span><\/i>, or <\/span>Concert on the Green<\/span><\/i>, is a rather large work, measuring 51 \u00bc by 63 \u00be inches. Gilot created it in early 1953, during the final months of her decade-long romantic relationship with Pablo Picasso. The painting from Tuesday\u2019s sale displays hints of Picasso\u2019s style while remaining unique. Picasso experts say that the Spanish master assigned a different color to each of the important women in his life, with Gilot’s color being green. Christie\u2019s assigned the Gilot an estimate range of \u20ac200K to \u20ac300K, with the hammer coming down at \u20ac1.05 million \/ $1.14 million (or \u20ac1.3 million \/ $1.43 million w\/p). As I wrote several weeks ago, the Picasso Museum in Paris <\/span>curated one of its gallery spaces dedicated to Fran\u00e7oise Gilot\u2019s work<\/span><\/a>, which commentators say is a significant step towards Gilot\u2019s rehabilitation in France, where her reputation suffered immensely after her break with Picasso. In North America and, to some extent, the rest of Europe, Gilot\u2019s popularity and reputation have remained mostly intact, with her work selling for far greater amounts at auction houses in London and New York. <\/span>Le Concert Champ\u00eatre<\/span><\/i> is now Gilot\u2019s fourth most valuable painting and is by far the most valuable of her paintings ever sold in France. Not only is this one of the artist\u2019s biggest moments at the auction block, but it may serve as a bellwether testifying to Gilot\u2019s reputational rehabilitation in France.<\/span><\/p>\n

\"An<\/a>

Les Coteaux de La Celle, apr\u00e8s Saint-Mamm\u00e8s<\/em> by Alfred Sisley<\/p><\/div>\n

Two lots were tied for third place, each selling for \u20ac550K \/ $598.3K (or \u20ac693K \/ $753.8K w\/p). The first was one of the two Sisley paintings featured during the sale. Sisley painted <\/span>Les Coteaux de La Celle, apr\u00e8s Saint-Mamm\u00e8s<\/span><\/i> in 1884, not long after moving to the Moret-sur-Loing area in the countryside just south of Paris. Like much of his work, Sisley focuses on the Seine, capturing its banks at Vernou-la-Celle-sur-Seine, just a few miles east of Fontainebleau. With a range of \u20ac400K to \u20ac600K, the Sisley fell nicely within its estimate. Meanwhile, the other lot sharing third was the single work by Rodin in the sale. Rodin originally exhibited the original marble sculpture <\/span>\u00c9ternel printemps<\/span><\/i>, or <\/span>Eternal Springtime<\/span><\/i>, at the Salon in 1897. After that, he created multiple versions cast in bronze, including this one, which he cast during his final years between 1916 and 1917. The sculpture has intrigued many, leading some to guess that the figures represent Cupid and Psyche, or perhaps they are personifications of the wind and the earth. It slightly exceeded the \u20ac300K to \u20ac500K estimate Christie\u2019s assigned it.<\/span><\/p>\n

\"A<\/a>

\u00c9ternel printemps<\/em> by Auguste Rodin<\/p><\/div>\n

The sale did incredibly well, with eleven of the twenty-three available lots selling within their estimates, giving Christie\u2019s specialists a 48% accuracy rate. An additional three lots (13%) sold below, while eight lots (35%) sold above. Only one lot, an oil on canvas painting by Le Corbusier, went unsold, giving the sale a 96% sell-through rate. In total, the sale made \u20ac9.9 million, well within its presale estimate range of \u20ac7.39 million and \u20ac11.37 million. It\u2019s important to remember that a quarter of the sale\u2019s total came from the Derain painting.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

On Tuesday, April 9th, Christie\u2019s Paris hosted the first Impressionist sale that will be all the buzz the rest of the week. They started with their \u201coeuvres choisies,\u201d or select works, a collection of twenty-three paintings and sculptures from prominent … More…<\/a><\/p>\n","protected":false},"author":6,"featured_media":53446,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[384,146,207,20,117,416,931,88,932,71,107,859,120,65,198,418,11,9,860,85,933],"class_list":["post-53445","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","category-rehs-contemporary","tag-19th-century-european","tag-19th-century-french","tag-auction-news","tag-auction-results","tag-bronze","tag-christies","tag-fauvism","tag-french-impressionist","tag-gilot","tag-impressionism","tag-landscapes","tag-matisse","tag-modern-art","tag-museums","tag-paris","tag-picasso","tag-rehs-contemporary-news","tag-rehs-galleries-news","tag-rodin","tag-sculpture","tag-sisley"],"yoast_head":"\nChristie's Paris Impressionist "Oeuvres Choisies" - 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