{"id":52180,"date":"2024-03-11T14:54:58","date_gmt":"2024-03-11T18:54:58","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=52180"},"modified":"2024-03-11T14:54:58","modified_gmt":"2024-03-11T18:54:58","slug":"recent-sothebys-sale-draws-unwarranted-pessimism","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2024\/03\/recent-sothebys-sale-draws-unwarranted-pessimism\/","title":{"rendered":"Recent Sotheby&#8217;s Sale Draws Unwarranted Pessimism"},"content":{"rendered":"<p><span data-preserver-spaces=\"true\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/11\/sothebys_web.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" class=\"alignleft wp-image-40842 \" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/11\/sothebys_web-300x296.jpg\" alt=\"front entrance to sotheby's\" width=\"239\" height=\"236\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/11\/sothebys_web-300x296.jpg 300w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/11\/sothebys_web-1024x1009.jpg 1024w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/11\/sothebys_web-768x757.jpg 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/11\/sothebys_web.jpg 1218w\" sizes=\"(max-width: 239px) 100vw, 239px\" \/><\/a>I wasn\u2019t originally going to write about the Modern &amp; Contemporary evening sale held at Sotheby\u2019s on Wednesday, March 6th. However, I felt compelled to do so after seeing\u00a0<\/span><a class=\"editor-rtfLink\" href=\"https:\/\/www.theartnewspaper.com\/2024\/03\/06\/sothebys-london-modern-contemporary-evening-sale\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">an incredibly misleading headline from\u00a0<\/span><em><span data-preserver-spaces=\"true\">The Art Newspaper<\/span><\/em><\/a><span data-preserver-spaces=\"true\">. According to their analysis, this sale made 40% less than <a href=\"https:\/\/rehs.com\/eng\/2023\/03\/sothebys-modern-contemporary-evening-sale\/\" target=\"_blank\" rel=\"noopener\">the same sale held last year on March 1, 2023<\/a>. This number implies that 40% less somehow equates to 40% worse. After reading the piece, I saw they were doing it all wrong.\u00a0<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Kabir Jhala, the publication\u2019s deputy art market editor, described the auction as \u201cstaid though not disastrous\u201d. With some of the absolutely enormous sales over the past several years, I suppose Jhala\u2019s expectations are so high that a successful sale by normal standards just won\u2019t cut it. He arrived at that 40% figure by comparing the total hammer prices of this sale and the same sale last year. The 2023 sale made around \u00a3137 million (or $164.6 million), while this year&#8217;s made about \u00a382 million (or $104.7 million). Therefore, Sotheby\u2019s is doing terribly, the art market is failing, the sky is falling, and so on. This is not just a misleading headline but also an incredibly inaccurate analysis. Yes, the auction house and the name of the sales are the same, but not their contents. The 40% number would be more reflective of the market if it were the same batch of paintings up for sale again. Unfortunately for Jhala, it was a new set of lots up for grabs on Wednesday night. The estimates were, therefore, completely different. So, I would like to set the record straight by pointing out how to better compare these two sales.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">To judge whether the Modern &amp; Contemporary sales at Sotheby&#8217;s did better or worse this year, looking at a broader array of data is essential. In that regard, the 2024 sale fared better in many ways. It made \u00a382.2 million against the low total estimate of \u00a373.34 million. This is nearly 10% above the low estimate. In contrast, the 2023 sale made \u00a3137.2 million against an estimate of \u00a3133.6 million, meaning it only did 2% better. Then there is specialist accuracy: on Wednesday night, twenty-seven of the fifty-nine available lots sold within their estimates, giving Sotheby\u2019s specialists a 46% accuracy rate. Meanwhile, the experts had a 40% accuracy rate last year. Both are phenomenal outcomes, but one is clearly better than the other. Furthermore, the 2024 sale did better than last year regarding the sell-through rate. The sale on Wednesday night saw six lots (10%) fail to sell. This is the same number of lots as last year. However, because last year&#8217;s sale had fewer lots in total, the unsold lots constituted about 17% of the auction&#8217;s contents. Jhala called this year&#8217;s 90% sell-through rate &#8220;respectable&#8221; but also mentioned that this number would fall to 77% if you count all the lots that were withdrawn before the sale. At this point, I think he&#8217;s actively trying to be pessimistic about this since you rarely consider the withdrawn works in a sale.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">In the end, I think this all comes down to the fact that bad news gets more attention than good news. It&#8217;s i<\/span><span data-preserver-spaces=\"true\">n the same vein as the old saying in journalism, &#8220;If it bleeds, it leads.&#8221; If you write about how everything&#8217;s fine, people tend to be very blas\u00e9 about it. But when you frame something as if the world is coming to an end, your readership will listen to what you write. It\u2019s very difficult to compare two sales and say that one objectively did better than the other. You can judge how well the house specialists understand the market by comparing how many lots sold within their estimates. You can also look at individual paintings and highlight if they did better or worse than the last time they were at auction. But every sale is a completely unique event. You can\u2019t boil them down to a single percentage.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>I wasn\u2019t originally going to write about the Modern &amp; Contemporary evening sale held at Sotheby\u2019s on Wednesday, March 6th. However, I felt compelled to do so after seeing\u00a0an incredibly misleading headline from\u00a0The Art Newspaper. According to their analysis, this &hellip; <a href=\"https:\/\/rehs.com\/eng\/2024\/03\/recent-sothebys-sale-draws-unwarranted-pessimism\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":40842,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[207,15,11,9,606],"class_list":["post-52180","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","category-rehs-contemporary","tag-auction-news","tag-comments-on-the-art-market","tag-rehs-contemporary-news","tag-rehs-galleries-news","tag-sothebys"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Recent Sotheby&#039;s Sale Draws Unwarranted Pessimism - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"After a sale at Sotheby&#039;s London, The Art Newspaper put of an overly pessimistic writeup that needs addressing.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2024\/03\/recent-sothebys-sale-draws-unwarranted-pessimism\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Recent Sotheby&#039;s Sale Draws Unwarranted Pessimism\" \/>\n<meta property=\"og:description\" content=\"After a sale at Sotheby&#039;s London, The Art Newspaper put of an overly pessimistic writeup that needs addressing.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2024\/03\/recent-sothebys-sale-draws-unwarranted-pessimism\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2024-03-11T18:54:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/11\/sothebys_web.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1218\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2024\\\/03\\\/recent-sothebys-sale-draws-unwarranted-pessimism\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2024\\\/03\\\/recent-sothebys-sale-draws-unwarranted-pessimism\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Recent Sotheby&#8217;s Sale Draws Unwarranted Pessimism\",\"datePublished\":\"2024-03-11T18:54:58+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2024\\\/03\\\/recent-sothebys-sale-draws-unwarranted-pessimism\\\/\"},\"wordCount\":657,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2024\\\/03\\\/recent-sothebys-sale-draws-unwarranted-pessimism\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2020\\\/11\\\/sothebys_web.jpg\",\"keywords\":[\"Auction News\",\"Comments on the Art Market\",\"Rehs Contemporary - Art World News\",\"Rehs Galleries - Art World News\",\"sotheby's\"],\"articleSection\":[\"Rehs 19th &amp; 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