{"id":50873,"date":"2024-03-04T17:08:56","date_gmt":"2024-03-04T22:08:56","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=50873"},"modified":"2024-03-04T17:08:55","modified_gmt":"2024-03-04T22:08:55","slug":"still-missing-the-new-years-eve-heist","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2024\/03\/still-missing-the-new-years-eve-heist\/","title":{"rendered":"Still Missing: The New Year’s Eve Heist"},"content":{"rendered":"
\"An<\/a>

View of Auvers-sur-Oise<\/em> by Paul C\u00e9zanne<\/p><\/div>\n

This is now the third entry in my ongoing series, which I call Still Missing<\/em>, where I discuss some of the most interesting unsolved art thefts. While the 1934 Just Judges theft was certainly interesting to look into, here’s something a little more recent: the heist that took place on New Year’s Eve at an Oxford University museum.<\/p>\n

The Ashmolean Museum is Britain\u2019s oldest museum. It has been open for over 340 years, often welcoming close to a million visitors annually. At the dawn of the new millennium, it was the scene of a daring robbery. At midnight on New Year\u2019s Eve 1999, an unknown thief entered the museum using the nearby fireworks display as cover. Like the Skylight Caper perpetrators, they gained access to the roof. They entered through a skylight, descended into the galleries, and used a smoke bomb to obscure themself from the CCTV cameras while making their way to View of Auvers-sur-Oise<\/em> by Paul C\u00e9zanne. <\/span>The painting was created around 1880, showing the northern French town where C\u00e9zanne lived at the time. The perpetrator pulled a scalpel from a bag and cut the painting out of its frame. If that wasn\u2019t enough, he also removed the now empty frame from the wall and smashed it on the floor. They then left the building, disappearing into the crowds outside, who had assembled in the street to view the New Year’s fireworks. The entire job took around 10 minutes.<\/span><\/p>\n

Seeing the smoke and hearing the museum\u2019s alarm going off, the security guards assumed it was a fire. When police and firefighters arrived, the smoke disappeared, revealing the crime scene. The C\u00e9zanne was the only work stolen that night. It had been the only C\u00e9zanne kept by the Ashmolean at the time, leading investigators to conclude that the thief had specifically chosen that painting to steal. At the time of the incident, the Ashmolean stated the painting was likely worth around \u00a33 million. Some theorized that recent films like <\/span>Entrapment<\/span><\/em><\/a>\u00a0and\u00a0<\/span>The Thomas Crown Affair<\/span><\/em><\/a>\u00a0may have inspired the theft. Some police officers called the incident \u201c\u200b\u200ba very clever ploy\u201d and \u201cvery professional\u201d.<\/span><\/p>\n

Authorities were rather confident that the C\u00e9zanne would be tracked down soon. Others, like Thames Valley Police spokesman Duncan McGraw, were more ambiguous in their predictions: \u201cIt could be tomorrow, or it could be in 20 years.\u201d Police initially believed they had tracked the painting down to a pub in the West Midlands, only to find that it was a copy recently made by the landlord after watching the theft\u2019s news coverage.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

This is now the third entry in my ongoing series, which I call Still Missing, where I discuss some of the most interesting unsolved art thefts. While the 1934 Just Judges theft was certainly interesting to look into, here’s something … More…<\/a><\/p>\n","protected":false},"author":6,"featured_media":50874,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[384,146,653,367,88,71,107,120,65,11,9,386,32,390],"class_list":["post-50873","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","category-rehs-contemporary","tag-19th-century-european","tag-19th-century-french","tag-cezanne","tag-crime-and-punishment","tag-french-impressionist","tag-impressionism","tag-landscapes","tag-modern-art","tag-museums","tag-rehs-contemporary-news","tag-rehs-galleries-news","tag-tales-from-the-dark-side","tag-the-dark-side","tag-theft"],"yoast_head":"\nStill Missing: The New Year's Eve Heist - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"Entry number three in the Still Missing series: the New Year's Eve heist at Oxford University's Ashmolean Museum.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2024\/03\/still-missing-the-new-years-eve-heist\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Still Missing: The New Year's Eve Heist\" \/>\n<meta property=\"og:description\" content=\"Entry number three in the Still Missing series: the New Year's Eve heist at Oxford University's Ashmolean Museum.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2024\/03\/still-missing-the-new-years-eve-heist\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2024-03-04T22:08:56+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2024\/02\/View_of_Auvers-sur-Oise_Paul_Cezanne-1024x874.png\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"874\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2024\\\/03\\\/still-missing-the-new-years-eve-heist\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2024\\\/03\\\/still-missing-the-new-years-eve-heist\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Still Missing: The New Year’s Eve Heist\",\"datePublished\":\"2024-03-04T22:08:56+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2024\\\/03\\\/still-missing-the-new-years-eve-heist\\\/\"},\"wordCount\":454,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2024\\\/03\\\/still-missing-the-new-years-eve-heist\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2024\\\/02\\\/View_of_Auvers-sur-Oise_Paul_Cezanne.png\",\"keywords\":[\"19th Century European\",\"19th Century French\",\"C\u00e9zanne\",\"Crime and Punishment\",\"French Impressionist\",\"Impressionism\",\"Landscapes\",\"Modern Art\",\"museums\",\"Rehs Contemporary - 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