{"id":48850,"date":"2023-11-21T15:00:56","date_gmt":"2023-11-21T20:00:56","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=48850"},"modified":"2023-11-22T11:51:13","modified_gmt":"2023-11-22T16:51:13","slug":"a-fresh-take-on-european-paintings-at-the-met","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2023\/11\/a-fresh-take-on-european-paintings-at-the-met\/","title":{"rendered":"A Fresh Take On European Paintings At The Met"},"content":{"rendered":"<div id=\"attachment_48852\" style=\"width: 239px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/11\/swapna-1.webp\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-48852\" class=\"wp-image-48852 \" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/11\/swapna-1-253x300.webp\" alt=\"A portrait of a dark-skinned woman in a white robe, a Bengali nurse named Joanna de Silva, painted by the British artist William Wood in the 1790s\" width=\"229\" height=\"272\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/11\/swapna-1-253x300.webp 253w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/11\/swapna-1-864x1024.webp 864w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/11\/swapna-1-768x911.webp 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/11\/swapna-1-1296x1536.webp 1296w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/11\/swapna-1.webp 1568w\" sizes=\"(max-width: 229px) 100vw, 229px\" \/><\/a><p id=\"caption-attachment-48852\" class=\"wp-caption-text\"><em>Portrait of Joanna de Silva<\/em> by William Wood<\/p><\/div>\n<p><span style=\"font-weight: 400;\">In March 2023, the Metropolitan Museum of Art in New York closed all the forty-five galleries dedicated to European painting. This was the culmination of a five-year, $150 million project to fix the roof, skylights, and HVAC systems for that part of the museum. The renovations have made the oldest part of the building far more energy-efficient. And now, on Monday, November 20th, the galleries finally opened again, accompanied by an incredibly bold and modern rehang.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">On previous visits to the Met, you might have noticed a general pattern: curators grouped the department&#8217;s paintings department by geography and nationality. However, when the Met unveiled its new rehang after the skylights\u2019 installation, visitors saw that the placement of each painting carried far greater nuance than shared nationality could ever convey. The new rehang, called <\/span><a href=\"https:\/\/www.metmuseum.org\/exhibitions\/look-again-european-paintings-1300-1800\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Look Again<\/span><\/i><\/a><span style=\"font-weight: 400;\">, is less grouped by nationality and more by chronology, among other factors. However, the Met curators are now trying to contextualize the paintings in terms of their relationship to each other and the world in which they were created. Rather than treat Europe as a series of small national boxes grouped together for centuries the same way we understand them now, the paintings\u2019 placement and the information displayed alongside them show that for centuries, European peoples have not only been in contact with each other but with the wider world, including Africa, Asia, and the Americas. The curators also tried to show the importance and impact of both women and people of color on European painting, as well as their representation in such paintings. Works such as William Wood\u2019s <\/span><i><span style=\"font-weight: 400;\">Portrait of Joanna de Silva<\/span><\/i><span style=\"font-weight: 400;\"> and Vel\u00e1zquez\u2019s <\/span><a href=\"https:\/\/images.metmuseum.org\/CRDImages\/ep\/original\/DP-14286-001.jpg\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">Portrait of Juan de Pareja<\/span><\/i><\/a><span style=\"font-weight: 400;\"> show Western Europe\u2019s connection to and perception of other parts of the world at a time when their colonial projects were already underway. For example, the new rehang highlights the work of the seventeenth-century Flemish painter Clara Peeters, showing how female painters significantly influenced the art of European still-life painting and scientific illustration during the scientific and industrial revolutions. The paintings of Elisabeth Louise Vig\u00e9e Le Brun and Margareta Haverman also feature prominently in the rehang.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The new rehang also highlights something that Met curators seem experienced in doing. Like their new exhibition exploring the relationship and the dialogue between \u00c9douard Manet and Edgar Degas, the European painting curators look at Old Master European paintings and how they later influenced modern art. In one of the galleries, works by El Greco hang alongside C\u00e9zanne and early Picasso paintings to show how direct an influence the Spanish Renaissance master had over later artists. Similarly, <\/span><a href=\"https:\/\/collectionapi.metmuseum.org\/api\/collection\/v1\/iiif\/436875\/1366541\/main-image\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">a self-portrait by Marie Victoire Lemoine<\/span><\/a><span style=\"font-weight: 400;\">, who lived and worked mainly in Revolutionary and Napoleonic France, is presented side-by-side with <\/span><a href=\"https:\/\/ids.si.edu\/ids\/deliveryService?id=NPG-NPG_94_81\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">a 1946 self-portrait by Elaine de Kooning<\/span><\/a><span style=\"font-weight: 400;\">.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">When the European galleries closed, the Met technical staff and conservators took advantage of that time to clean and restore some of the department highlights that had been neglected over the previous decades. One of my favorites in the Met\u2019s European paintings collection is Rembrandt&#8217;s 1653 <\/span><i><span style=\"font-weight: 400;\">Portrait of Aristotle with a Bust of Homer<\/span><\/i><span style=\"font-weight: 400;\">. The modern, synthetic varnish applied to the painting during its last restoration around forty years ago had become rather opaque, leading to its most recent touchup.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Though the Met\u2019s new rehang keeps pace with new trends in contemporary museum curation, it\u2019s not unusual to remark that a fresh take on viewing the collection is long overdue. Museum director Max Hollein described the gallery closures brought about by the renovations as a \u201c<\/span><span style=\"font-weight: 400;\">once-in-a-lifetime opportunity to completely rethink the presentation of this much-beloved collection\u201d. It\u2019s funny how one of the largest, most famous art collections in the world, filled with works that are instantly recognizable to both specialists and the general public, can be used to do something like this; to make new connections and tell untold stories that may surprise visitors and make many people feel seen for the first time in a setting like a major museum.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In March 2023, the Metropolitan Museum of Art in New York closed all the forty-five galleries dedicated to European painting. This was the culmination of a five-year, $150 million project to fix the roof, skylights, and HVAC systems for that &hellip; <a href=\"https:\/\/rehs.com\/eng\/2023\/11\/a-fresh-take-on-european-paintings-at-the-met\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":48852,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[345,176,867,74,771,770,40,65,58,11,9],"class_list":["post-48850","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","category-rehs-contemporary","tag-17th-century-art","tag-18th-century-british-art","tag-18th-century-french-art","tag-french-academic","tag-met","tag-metropolitan-museum-of-art","tag-museum-exhibitions","tag-museums","tag-old-masters","tag-rehs-contemporary-news","tag-rehs-galleries-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.8 (Yoast SEO v27.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>A Fresh Take On European Paintings At The Met - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"After years of renovations, the European Painting galleries at New York&#039;s Met Museum are finally open with a new, bold rehang.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2023\/11\/a-fresh-take-on-european-paintings-at-the-met\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Fresh Take On European Paintings At The Met\" \/>\n<meta property=\"og:description\" content=\"After years of renovations, the European Painting galleries at New York&#039;s Met Museum are finally open with a new, bold rehang.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2023\/11\/a-fresh-take-on-european-paintings-at-the-met\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2023-11-21T20:00:56+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-11-22T16:51:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/11\/swapna-1.webp\" \/>\n\t<meta property=\"og:image:width\" content=\"1568\" \/>\n\t<meta property=\"og:image:height\" content=\"1859\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/webp\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/11\\\/a-fresh-take-on-european-paintings-at-the-met\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/11\\\/a-fresh-take-on-european-paintings-at-the-met\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"A Fresh Take On European Paintings At The Met\",\"datePublished\":\"2023-11-21T20:00:56+00:00\",\"dateModified\":\"2023-11-22T16:51:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/11\\\/a-fresh-take-on-european-paintings-at-the-met\\\/\"},\"wordCount\":689,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/11\\\/a-fresh-take-on-european-paintings-at-the-met\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2023\\\/11\\\/swapna-1.webp\",\"keywords\":[\"17th Century Art\",\"18th Century British Art\",\"18th Century French Art\",\"French Academic\",\"met\",\"metropolitan museum of art\",\"Museum Exhibitions\",\"museums\",\"Old Masters\",\"Rehs Contemporary - Art World News\",\"Rehs Galleries - Art World News\"],\"articleSection\":[\"Rehs 19th &amp; 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