{"id":48217,"date":"2023-08-20T10:45:47","date_gmt":"2023-08-20T14:45:47","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=48217"},"modified":"2023-12-28T05:14:04","modified_gmt":"2023-12-28T10:14:04","slug":"met-acquires-work-with-hidden-enslaved-boy","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2023\/08\/met-acquires-work-with-hidden-enslaved-boy\/","title":{"rendered":"Met Acquires Work With Hidden Enslaved Boy"},"content":{"rendered":"<div id=\"attachment_48218\" style=\"width: 176px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/08\/Frey_Children_and_Belizaire_1837.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-48218\" class=\"wp-image-48218 \" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/08\/Frey_Children_and_Belizaire_1837-228x300.jpg\" alt=\"A 19th century American group portrait of three children with a mixed-race youth featured in the background.\" width=\"166\" height=\"218\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/08\/Frey_Children_and_Belizaire_1837-228x300.jpg 228w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/08\/Frey_Children_and_Belizaire_1837-778x1024.jpg 778w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/08\/Frey_Children_and_Belizaire_1837-768x1010.jpg 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/08\/Frey_Children_and_Belizaire_1837-1168x1536.jpg 1168w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/08\/Frey_Children_and_Belizaire_1837.jpg 1534w\" sizes=\"(max-width: 166px) 100vw, 166px\" \/><\/a><p id=\"caption-attachment-48218\" class=\"wp-caption-text\"><em>B\u00e9lizaire and the Frey Children<\/em> attributed to Jacques Amans<\/p><\/div>\n<p><span style=\"font-weight: 400;\">New York\u2019s Metropolitan Museum of Art announced the acquisition of an American nineteenth-century group portrait that includes a figure that was previously painted out. The painting was created in 1837 and is likely by Jacques Amans. Amans was a French painter trained in the neoclassical tradition of Jacques Louis David, but he lived in New Orleans from 1837 to 1856 while working mainly as a portraitist. Early on in his New Orleans career, a local banker named Frederick Frey commissioned him to create a portrait of his three children, Elizabeth, L\u00e9ontine, and Frederick Jr. The painting was donated to the New Orleans Museum of Art in 1972 by the family\u2019s descendants, where it sat in storage until 2005. The museum deaccessioned the work, selling it at Christie\u2019s New York for $6,000 hammer.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">The buyer, an antique dealer, saw that the children were not the only ones in the painting. There was a ghost. The brushstrokes indicated that another figure, in the background against the tree, had been painted out of the work. The new owner tried to remove the layer of overpaint concealing this ghost. It was a mixed-race boy that someone took great care to hide. The portrait would not become well-known until it entered Jeremy Simien\u2019s possession. Simien, a Louisiana art collector, first saw the portrait in 2013. He purchased the work in 2021 and had it completely restored. He also hired historian Katy Morlas Shannon to research the Frey family and discover details of this boy\u2019s life. It turns out his name was B\u00e9lizaire. He was an enslaved mixed-race boy who, according to Shannon\u2019s research, the Frey family purchased along with his mother when he was six years old. B\u00e9lizaire is about fifteen in the portrait and likely worked as the three children\u2019s caretaker. None of the Frey children would survive to adulthood, though. In 1856, the Freys sold B\u00e9lizaire to the Evergreen Plantation, nearly thirty miles west of New Orleans in Edgard, Louisiana. Despite his enslaved status, his inclusion in the portrait shows that the Freys considered him an important member of their household. But though he is included, he is still detached from the other children, standing behind them, leaning against a tree, and looking away from the viewer rather than straight ahead. Researchers now estimate <\/span><a href=\"https:\/\/media.mutualart.com\/Images\/\/2013_12\/21\/11\/111428849\/0584ddd2-3859-4c98-9965-32cee86e27a5.Jpeg\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">B\u00e9lizaire was painted out of the portrait<\/span><\/a><span style=\"font-weight: 400;\"> during the Jim Crow era.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Before Simien gave the portrait to the Met, <\/span><i><span style=\"font-weight: 400;\">B\u00e9lizaire and the Frey Children<\/span><\/i><span style=\"font-weight: 400;\"> spent about a year being exhibited at the Ogden Museum of Art in New Orleans. Simien remarked, \u201cI had a duty to place it somewhere with the best interpretation, the safest, where it wouldn\u2019t be forgotten again.\u201d The Met\u2019s acquisition of the work is most opportune, as the museum\u2019s American Wing celebrates its centenary this year. But hopefully, B\u00e9lizaire\u2019s story and his image\u2019s story can teach a valuable lesson: that he is but one of many. Hopefully, he can represent the unknown thousands intentionally erased or omitted from our stories. Starting in 2020, in the wake of George Floyd\u2019s murder and the Black Lives Matter protests, people of color received their re-recognition by the Met. In the American Wing, for example, the Met changed the name and description of a George Washington portrait to include the president\u2019s enslaved servant William Lee, <\/span><a href=\"https:\/\/www.metmuseum.org\/art\/collection\/search\/12822\" target=\"_blank\" rel=\"noopener\"><span style=\"font-weight: 400;\">also featured in the painting<\/span><\/a><span style=\"font-weight: 400;\">. Though they\u2019re small actions, it\u2019s the falling of small stones that starts an avalanche. With such recognition, B\u00e9lizaire helps us develop a more complete understanding of what American art was, is, and can be.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>New York\u2019s Metropolitan Museum of Art announced the acquisition of an American nineteenth-century group portrait that includes a figure that was previously painted out. The painting was created in 1837 and is likely by Jacques Amans. Amans was a French &hellip; <a href=\"https:\/\/rehs.com\/eng\/2023\/08\/met-acquires-work-with-hidden-enslaved-boy\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":48219,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[213,561,771,770,40,65,826,827,11,9,386,32],"class_list":["post-48217","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","category-rehs-contemporary","tag-19th-century-american","tag-african-american","tag-met","tag-metropolitan-museum-of-art","tag-museum-exhibitions","tag-museums","tag-people-of-color","tag-poc","tag-rehs-contemporary-news","tag-rehs-galleries-news","tag-tales-from-the-dark-side","tag-the-dark-side"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Met Acquires Work With Hidden Enslaved Boy<\/title>\n<meta name=\"description\" content=\"The Met has recently acquired a 19th-century group portrait that includes a figure previously painted out.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2023\/08\/met-acquires-work-with-hidden-enslaved-boy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Met Acquires Work With Hidden Enslaved Boy\" \/>\n<meta property=\"og:description\" content=\"The Met has recently acquired a 19th-century group portrait that includes a figure previously painted out.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2023\/08\/met-acquires-work-with-hidden-enslaved-boy\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2023-08-20T14:45:47+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-12-28T10:14:04+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/08\/Screenshot-2023-08-18-at-4.44.10-PM.png\" \/>\n\t<meta property=\"og:image:width\" content=\"746\" \/>\n\t<meta property=\"og:image:height\" content=\"758\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/png\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/08\\\/met-acquires-work-with-hidden-enslaved-boy\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/08\\\/met-acquires-work-with-hidden-enslaved-boy\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Met Acquires Work With Hidden Enslaved Boy\",\"datePublished\":\"2023-08-20T14:45:47+00:00\",\"dateModified\":\"2023-12-28T10:14:04+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/08\\\/met-acquires-work-with-hidden-enslaved-boy\\\/\"},\"wordCount\":624,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/08\\\/met-acquires-work-with-hidden-enslaved-boy\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2023\\\/08\\\/Screenshot-2023-08-18-at-4.44.10-PM.png\",\"keywords\":[\"19th Century American\",\"African American\",\"met\",\"metropolitan museum of art\",\"Museum Exhibitions\",\"museums\",\"People of color\",\"poc\",\"Rehs Contemporary - Art World News\",\"Rehs Galleries - Art World News\",\"tales from the dark side\",\"The Dark Side of the Art World\"],\"articleSection\":[\"Rehs 19th &amp; 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