{"id":47305,"date":"2023-04-07T08:00:30","date_gmt":"2023-04-07T12:00:30","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=47305"},"modified":"2023-04-06T21:48:36","modified_gmt":"2023-04-07T01:48:36","slug":"possible-vermeer-in-philadelphia","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2023\/04\/possible-vermeer-in-philadelphia\/","title":{"rendered":"Possible Vermeer In Philadelphia?"},"content":{"rendered":"<div id=\"attachment_47306\" style=\"width: 266px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/04\/35c22f6c6fcb7655ccfb37a1009f75d1f334191d-484x567-1-874x1024-1.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-47306\" class=\"wp-image-47306 size-medium\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/04\/35c22f6c6fcb7655ccfb37a1009f75d1f334191d-484x567-1-874x1024-1-256x300.jpg\" alt=\"A painting of a woman in an ermine-lined dress with her hair tied back playing guitar in a furnished, white-walled room.\" width=\"256\" height=\"300\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/04\/35c22f6c6fcb7655ccfb37a1009f75d1f334191d-484x567-1-874x1024-1-256x300.jpg 256w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/04\/35c22f6c6fcb7655ccfb37a1009f75d1f334191d-484x567-1-874x1024-1-768x900.jpg 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/04\/35c22f6c6fcb7655ccfb37a1009f75d1f334191d-484x567-1-874x1024-1.jpg 874w\" sizes=\"(max-width: 256px) 100vw, 256px\" \/><\/a><p id=\"caption-attachment-47306\" class=\"wp-caption-text\"><em>Lady with a Guitar<\/em><\/p><\/div>\n<p><span style=\"font-weight: 400;\">Since 1933, a copy of a painting by Johannes Vermeer known as <\/span><i><span style=\"font-weight: 400;\">Lady with a Guitar<\/span><\/i><span style=\"font-weight: 400;\"> has sat in storage at the Philadelphia Museum of Art, never having been put on display. For nearly a century, experts believed the work to have been a copy of Vermeer\u2019s original painting, <\/span><a href=\"https:\/\/news.artnet.com\/app\/news-upload\/2023\/04\/00f5a5ee6037be3d5c6fa14c64aba18fdfa05d92-495x567-1-1788x2048.jpg\" target=\"_blank\" rel=\"noopener\"><i><span style=\"font-weight: 400;\">The Guitar Player<\/span><\/i><\/a><span style=\"font-weight: 400;\">. The original is now owned by Kenwood House, a mansion and museum in central London. However, one specialist is now claiming that it is the Philadelphia work that is, in fact, an original.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Arie Wallert formally worked at the Rijksmuseum in Amsterdam as a scientific specialist. He spoke at a symposium last week at the Rijksmuseum, which currently hosts the largest collection of Vermeer works ever assembled for their current exhibition. There Wallert claimed that the painting in Philadelphia is likely an original work by Johannes Vermeer, created based on the same drawing as the Kenwood version. His claim comes from examining pigment samples taken from the canvas, which show lead-tin yellow, which was only used in Europe until around 1700. The painting also contains ultramarine, an incredibly expensive paint common in Vermeer\u2019s work. At the time of the Kenwood version\u2019s discovery in 1927, art historians believed it to be an original Vermeer mainly because of its quality. The Philadelphia version is not in the best shape, with much surface damage to the canvas. Other than the condition, the only other difference between the two is the subject\u2019s hair. In the Kenwood version, the woman\u2019s hair is partially drawn back, with some lively curls coming down the sides of her head. Meanwhile, the subject\u2019s hair is completely tied back in the Philadelphia version.<\/span><\/p>\n<p><span style=\"font-weight: 400;\">PMA director Sasha Suda responded by not coming down on either side of the issue but hoping this would \u201cinspire discussion\u201d about the work. With this new hypothesis, it is unclear if the PMA will attempt to restore the painting or consider putting it on display in the galleries. But for a city whose teams lost both the Super Bowl and the World Series in the same year, it might be good to give them something nice.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Since 1933, a copy of a painting by Johannes Vermeer known as Lady with a Guitar has sat in storage at the Philadelphia Museum of Art, never having been put on display. For nearly a century, experts believed the work &hellip; <a href=\"https:\/\/rehs.com\/eng\/2023\/04\/possible-vermeer-in-philadelphia\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":47306,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[524,345,612,611,40,65,58,11,9,772],"class_list":["post-47305","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","category-rehs-contemporary","tag-17th-century","tag-17th-century-art","tag-17th-century-dutch","tag-dutch-golden-age","tag-museum-exhibitions","tag-museums","tag-old-masters","tag-rehs-contemporary-news","tag-rehs-galleries-news","tag-vermeer"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.9 (Yoast SEO v27.9) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Possible Vermeer In Philadelphia? 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