{"id":47291,"date":"2023-04-06T21:39:32","date_gmt":"2023-04-07T01:39:32","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=47291"},"modified":"2024-04-01T05:09:39","modified_gmt":"2024-04-01T09:09:39","slug":"reynolds-rescued","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2023\/04\/reynolds-rescued\/","title":{"rendered":"Reynolds Rescued"},"content":{"rendered":"\n\n\t<div id=\"attachment_47156\" style=\"width: 194px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/03\/Joshua_Reynolds_-_Portrait_of_Omai.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-47156\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/03\/Joshua_Reynolds_-_Portrait_of_Omai-184x300.jpg\" alt=\"A portrait of a tan-skinned man in billowing white robes and a turban.\" width=\"184\" height=\"300\" \/><\/a><p id=\"caption-attachment-47156\" class=\"wp-caption-text\"><em>Portrait of Omai<\/em> by Sir Joshua Reynolds<\/p><\/div>\n<p>A few weeks ago, I wrote about how one of the most famous works by the British portraitist Sir Joshua Reynolds was\u00a0<a href=\"https:\/\/rehs.com\/eng\/2023\/03\/reynolds-at-risk-trying-to-save-a-national-treasure\/\" target=\"_blank\" rel=\"noopener\">in danger of leaving Britain<\/a>\u00a0after the government&#8217;s export bar expired. The National Portrait Gallery in London failed to raise the \u00a350 million necessary to purchase\u00a0<em>Portrait of Omai<\/em>\u00a0to keep it in the country. However, over the weekend, the <a href=\"https:\/\/rehs.com\/eng\/2023\/06\/national-portrait-gallery-reopens\/\">NPG<\/a> announced that\u00a0<em>Omai<\/em>\u00a0would be staying in the UK after all, but with one very big condition: it will have to spend some time in the United States.<\/p>\n<p>While the NPG only raised a little less than half of the funds necessary to buy the portrait, the British government extended their export bar until June 10th, allowing the J. Paul Getty Museum in Los Angeles to come to the rescue and put up the other half. This is the first time a British museum has partnered with an international organization for a single acquisition. While museum collaborations like this aren&#8217;t exactly new, in Britain, it certainly is a novel idea. It may become a more popular way for cultural institutions to share and display works. The plan is to send the portrait back and forth between the two institutions for six months each. But while some are applauding the NPG and the Getty for their new approach to collaboration, some in Britain are upset that Omai will have to spend half the year in an American museum instead of remaining in Britain year-round. But, of course, many are also recognizing that a compromise like this was very necessary. Due to its large endowment, the Getty Museum is one of the few cultural institutions in the world with extensive funds that would have enabled them to purchase the portrait independently, as they have\u00a0<a href=\"https:\/\/news.artnet.com\/market\/uk-bans-export-parmigianino-to-getty-855038\" target=\"_blank\" rel=\"noopener\">done in the past<\/a>\u00a0with several other export-deferred artworks from Britain. Moreover, I suppose sharing is preferable to losing it altogether for such a significant painting.\u00a0<\/p>\n<p>But the arrangement is not set in stone yet. The National Portrait Gallery still needs to raise nearly \u00a31 million to make up the difference, which many say should not be that big of an issue. Some, like\u00a0<a href=\"https:\/\/www.latimes.com\/entertainment-arts\/story\/2023-03-31\/joshua-reynolds-mai-getty-national-portrait-gallery\" target=\"_blank\" rel=\"noopener\">Christopher Knight<\/a>\u00a0of the\u00a0<em>LA Times<\/em>, claim this premature announcement is a rare but smart move to get more Brits interested in raising the remaining funds. Should the deal go through, the\u00a0<em>Portrait of Omai<\/em>\u00a0is expected to be displayed at the NPG when it finally reopens on June 22nd after three years of renovations.<\/p>\n\n","protected":false},"excerpt":{"rendered":"<p>A few weeks ago, I wrote about how one of the most famous works by the British portraitist Sir Joshua Reynolds was\u00a0in danger of leaving Britain\u00a0after the government&#8217;s export bar expired. The National Portrait Gallery in London failed to raise &hellip; <a href=\"https:\/\/rehs.com\/eng\/2023\/04\/reynolds-rescued\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":47156,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[176,651,350,81,269,65,523,11,9,690],"class_list":["post-47291","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","category-rehs-contemporary","tag-18th-century-british-art","tag-britain","tag-british","tag-british-art","tag-legal-matters","tag-museums","tag-portrait","tag-rehs-contemporary-news","tag-rehs-galleries-news","tag-reynolds"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Reynolds Rescued - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"London&#039;s National Portrait Gallery is teaming up with the Getty Museum in Los Angeles to purchase the Portrait of Omai by Sir Joshua Reynolds.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2023\/04\/reynolds-rescued\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Reynolds Rescued\" \/>\n<meta property=\"og:description\" content=\"London&#039;s National Portrait Gallery is teaming up with the Getty Museum in Los Angeles to purchase the Portrait of Omai by Sir Joshua Reynolds.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2023\/04\/reynolds-rescued\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2023-04-07T01:39:32+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-04-01T09:09:39+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/03\/Joshua_Reynolds_-_Portrait_of_Omai.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"1670\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/04\\\/reynolds-rescued\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/04\\\/reynolds-rescued\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Reynolds Rescued\",\"datePublished\":\"2023-04-07T01:39:32+00:00\",\"dateModified\":\"2024-04-01T09:09:39+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/04\\\/reynolds-rescued\\\/\"},\"wordCount\":430,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/04\\\/reynolds-rescued\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2023\\\/03\\\/Joshua_Reynolds_-_Portrait_of_Omai.jpg\",\"keywords\":[\"18th Century British Art\",\"Britain\",\"british\",\"British Art\",\"Legal Matters\",\"museums\",\"portrait\",\"Rehs Contemporary - Art World News\",\"Rehs Galleries - Art World News\",\"reynolds\"],\"articleSection\":[\"Rehs 19th &amp; 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