{"id":46710,"date":"2023-01-04T14:07:16","date_gmt":"2023-01-04T19:07:16","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=46710"},"modified":"2023-11-27T04:59:24","modified_gmt":"2023-11-27T09:59:24","slug":"glass-onion-a-critique-of-collectors-spoiler-alert","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2023\/01\/glass-onion-a-critique-of-collectors-spoiler-alert\/","title":{"rendered":"Glass Onion: A Critique Of Collectors [SPOILER ALERT]"},"content":{"rendered":"<div id=\"attachment_46713\" style=\"width: 160px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/01\/1024px-Ed_Norton_Shankbone_Metropolitan_Opera_2009.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-46713\" class=\"wp-image-46713\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/01\/1024px-Ed_Norton_Shankbone_Metropolitan_Opera_2009.jpg\" alt=\"photograph of Edward Norton - Glass Onion\" width=\"150\" height=\"216\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/01\/1024px-Ed_Norton_Shankbone_Metropolitan_Opera_2009.jpg 1024w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/01\/1024px-Ed_Norton_Shankbone_Metropolitan_Opera_2009-208x300.jpg 208w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/01\/1024px-Ed_Norton_Shankbone_Metropolitan_Opera_2009-711x1024.jpg 711w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/01\/1024px-Ed_Norton_Shankbone_Metropolitan_Opera_2009-768x1106.jpg 768w\" sizes=\"(max-width: 150px) 100vw, 150px\" \/><\/a><p id=\"caption-attachment-46713\" class=\"wp-caption-text\">Edward Norton &#8211; David Shankbone, CC BY 3.0 &lt;https:\/\/creativecommons.org\/licenses\/by\/3.0&gt;, via Wikimedia Commons<\/p><\/div>\n<p><span data-preserver-spaces=\"true\">In late December, many people I know decided to watch the mystery movie\u00a0<\/span><em><span data-preserver-spaces=\"true\">Glass Onion<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0on Netflix. It is a sequel to the movie\u00a0<\/span><em><span data-preserver-spaces=\"true\">Knives Out<\/span><\/em><span data-preserver-spaces=\"true\">, with Daniel Craig reprising his role as Southern gentleman detective Benoit Blanc. The film features commentary on success, wealth, and influence, mainly through the character of eccentric tech billionaire Miles Bron, played by Edward Norton. Bron has filled his residence on his private island in Greece with countless treasures purchased with his fortune. Kathryn Hahn\u2019s character describes the home\u2019s interior as akin to the Tate Modern. Eagle-eyed viewers would notice works in the style of Francis Bacon and Cy Twombly on the walls, likely created by the film&#8217;s art department to populate a fictional billionaire\u2019s art collection. But there are also recreations of real paintings in the background of many shots, including Picasso\u2019s <\/span><em><span data-preserver-spaces=\"true\">Cat Devouring a Bird<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0and\u00a0<\/span><em><span data-preserver-spaces=\"true\">Nichols Canyon<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0by David Hockney. Also featured are glass or crystal replicas of famous sculptures like Jeff Koons\u2019s\u00a0<\/span><em><span data-preserver-spaces=\"true\">Balloon Dog<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0and\u00a0<\/span><em><span data-preserver-spaces=\"true\">Bird in Space<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0by Constantin Br\u00e2ncu\u015fi.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">By the end, the film becomes a critique of wealthy, seemingly successful people who, in reality, owe their success mainly to profiting off the ideas of others. Many claim that figures like Elon Musk or Jeff Bezos may have inspired Norton\u2019s character. Miles Bron is revealed to be an idiot passing himself off as a genius. While this isn\u2019t revealed until far into the film, there are some warning signs to pick up on, including his art collection. The works on the walls appear to be scattered about in a random assortment. There doesn\u2019t seem to be any effort to display these works properly alongside works in the same style, or by the same artist, or even hanging them in proper lighting. This may indicate that their owner purchased them not for their aesthetic qualities or admiration for twentieth-century abstract art but rather for their estimated value. This reflects some real-world collectors, some of whom often primarily see valuable art more as an investment to be profited from rather than a person\u2019s original creation to be admired.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Keeping a horde of well-known paintings in a mansion on a private island may also be a criticism of some collectors\u2019 practices of keeping art away from public view. The most notable example of this is Da Vinci\u2019s\u00a0<\/span><em><span data-preserver-spaces=\"true\">Salvator Mundi<\/span><\/em><span data-preserver-spaces=\"true\">, the most expensive painting yet sold at auction. While it is not confirmed, the work is reportedly stored not in a properly-curated museum or gallery space but on Saudi Crown Prince Mohammed bin Salman\u2019s\u00a0<\/span><a class=\"editor-rtfLink\" href=\"https:\/\/www.bloomberg.com\/news\/articles\/2019-06-10\/da-vinci-s-450-million-masterpiece-kept-on-mbs-s-yacht-artnet\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">private yacht<\/span><\/a><span data-preserver-spaces=\"true\">. The most glaring example of Glass Onion&#8217;s critique of amateur collectors is one painting in Miles Bron\u2019s art collection. Mark Rothko\u2019s\u00a0<\/span><a class=\"editor-rtfLink\" href=\"https:\/\/live.staticflickr.com\/7631\/27715061703_b87b8cfa10_b.jpg\" target=\"_blank\" rel=\"noopener\"><em><span data-preserver-spaces=\"true\">Number 207 (Red over Dark Blue on Dark Gray)<\/span><\/em><\/a><span data-preserver-spaces=\"true\">\u00a0hangs in the background of several scenes. But anyone who knows the painting will realize that the work is actually\u00a0<\/span><a class=\"editor-rtfLink\" href=\"http:\/\/sharethegoodnews.org\/wp-content\/uploads\/2022\/12\/1672379010_984_Glass-Onion-Edward-Nortons-artwork-in-Daniel-Craigs-film-The.png\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">hung upside down<\/span><\/a><span data-preserver-spaces=\"true\">. Rian Johnson later admitted that he intentionally did this to indicate how little Miles knows or cares about his collection and to reveal the character\u2019s true nature. Johnson wanted to convey \u201ca lack of self-awareness\u201d. In any case,\u00a0<\/span><em><span data-preserver-spaces=\"true\">Glass Onion<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0is a film that is not necessarily about art but uses art very smartly to send a message about its characters and the world.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>In late December, many people I know decided to watch the mystery movie\u00a0Glass Onion\u00a0on Netflix. It is a sequel to the movie\u00a0Knives Out, with Daniel Craig reprising his role as Southern gentleman detective Benoit Blanc. The film features commentary on &hellip; <a href=\"https:\/\/rehs.com\/eng\/2023\/01\/glass-onion-a-critique-of-collectors-spoiler-alert\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":46713,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[224,57,373,120,11,9],"class_list":["post-46710","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","category-rehs-contemporary","tag-20th-century-american-art","tag-art-movies","tag-collector","tag-modern-art","tag-rehs-contemporary-news","tag-rehs-galleries-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Glass Onion: A Critique Of Collectors [Spoiler Alert]<\/title>\n<meta name=\"description\" content=\"Mystery film Glass Onion features eccentric tech billionaire Miles Bron (Edward Norton), whose art collection tells the audience a lot about him.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2023\/01\/glass-onion-a-critique-of-collectors-spoiler-alert\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Glass Onion: A Critique Of Collectors [SPOILER ALERT]\" \/>\n<meta property=\"og:description\" content=\"Mystery film Glass Onion features eccentric tech billionaire Miles Bron (Edward Norton), whose art collection tells the audience a lot about him.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2023\/01\/glass-onion-a-critique-of-collectors-spoiler-alert\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2023-01-04T19:07:16+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-11-27T09:59:24+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2023\/01\/1024px-Ed_Norton_Shankbone_Metropolitan_Opera_2009.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1024\" \/>\n\t<meta property=\"og:image:height\" content=\"1475\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/01\\\/glass-onion-a-critique-of-collectors-spoiler-alert\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/01\\\/glass-onion-a-critique-of-collectors-spoiler-alert\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Glass Onion: A Critique Of Collectors [SPOILER ALERT]\",\"datePublished\":\"2023-01-04T19:07:16+00:00\",\"dateModified\":\"2023-11-27T09:59:24+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/01\\\/glass-onion-a-critique-of-collectors-spoiler-alert\\\/\"},\"wordCount\":590,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2023\\\/01\\\/glass-onion-a-critique-of-collectors-spoiler-alert\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2023\\\/01\\\/1024px-Ed_Norton_Shankbone_Metropolitan_Opera_2009.jpg\",\"keywords\":[\"20th Century American Art\",\"art movies\",\"collector\",\"Modern Art\",\"Rehs Contemporary - Art World News\",\"Rehs Galleries - Art World News\"],\"articleSection\":[\"Rehs 19th &amp; 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