{"id":46371,"date":"2022-11-30T15:26:26","date_gmt":"2022-11-30T20:26:26","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=46371"},"modified":"2022-11-30T15:26:26","modified_gmt":"2022-11-30T20:26:26","slug":"a-new-old-master","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2022\/11\/a-new-old-master\/","title":{"rendered":"A New Old Master"},"content":{"rendered":"<div id=\"attachment_46372\" style=\"width: 223px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2022\/11\/FiahXLQX0AEhKql.jpg\" target=\"_blank\" rel=\"noopener\"><img decoding=\"async\" aria-describedby=\"caption-attachment-46372\" class=\"wp-image-46372\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2022\/11\/FiahXLQX0AEhKql-261x300.jpg\" alt=\"A portrait of Moses sold in Paris on November 25th at Chayette &amp; Cheval for \u20ac590,000. Possibly by the Italian Baroque master Guercino\" width=\"213\" height=\"245\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2022\/11\/FiahXLQX0AEhKql-261x300.jpg 261w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2022\/11\/FiahXLQX0AEhKql-768x882.jpg 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2022\/11\/FiahXLQX0AEhKql.jpg 784w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><\/a><p id=\"caption-attachment-46372\" class=\"wp-caption-text\"><em>Moses<\/em>, possibly by the Italian Baroque master Guercino<\/p><\/div>\n<p><span data-preserver-spaces=\"true\">It\u2019s not every day that you find a forgotten painting by one of the Old Masters. But that is definitely the case for the Italian baroque painter Guercino. It seems like someone suddenly rediscovers one of his portraits or religious scenes every other year. It happened in 2016 when Italian actor Federico Castelluccio bought a Saint Sebastian painting that later\u00a0<\/span><a class=\"editor-rtfLink\" href=\"https:\/\/news.artnet.com\/art-world\/sopranos-actor-discovers-10-million-guercino-117651\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">turned out to be a Guercino<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0worth about $10M. Then it happened in 2017 when someone offered an art collector in Morocco a painting he later recognized as\u00a0<\/span><a class=\"editor-rtfLink\" href=\"https:\/\/africatimes.com\/2017\/07\/16\/morocco-stolen-damaged-e6-million-guercino-painting-returned-to-italy\/\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">a Guercino altarpiece<\/span><\/a><span data-preserver-spaces=\"true\">\u00a0stolen from a church in Modena several years before. In 2020, an art dealer purchased a painting labeled as a 17th-century Dutch work at Doyles in New York and later discovered it was\u00a0<\/span><a class=\"editor-rtfLink\" href=\"https:\/\/news.artnet.com\/market\/rediscovered-guercino-painting-reunited-with-prepartory-drawing-1758375\" target=\"_blank\" rel=\"noopener\"><span data-preserver-spaces=\"true\">Guercino\u2019s\u00a0<\/span><em><span data-preserver-spaces=\"true\">Aurora<\/span><\/em><\/a><span data-preserver-spaces=\"true\">, created in 1662. And now it\u2019s happened again, but this time in Paris.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Over Thanksgiving weekend, the Paris auction house Chayette &amp; Cheval hosted a \u201cthematic sale\u201d featuring jewelry, furniture, and a few paintings. Lot 42 was a religious portrait labeled\u00a0<\/span><em><span data-preserver-spaces=\"true\">Moses<\/span><\/em><span data-preserver-spaces=\"true\">, attributed to a painter of the 17th-century Bologna school, likely a student of Guido Reni. The painting was estimated to sell for no more than \u20ac6K. I suppose most people were taken aback when the painting sold for \u20ac590K (or $610K) hammer. The buyer, whoever they may be, may have suspected the portrait to be a forgotten masterwork by Guercino, since the auction house specialists had considered him as one of the possible creators of the work. And there is a good deal of evidence to suggest that this claim is true. Firstly, a very similar painting appeared at auction in Venice in 2001. It was a copy of the original by the Italian baroque painter Benedetto Zallone, one of Guercino\u2019s students. Additionally, a different work by Guercino known as\u00a0<\/span><a class=\"editor-rtfLink\" href=\"https:\/\/d3d00swyhr67nd.cloudfront.net\/w800h800\/collection\/ASH\/ASHM\/ASH_ASHM_WA_L_99_14-001.jpg\" target=\"_blank\" rel=\"noopener\"><em><span data-preserver-spaces=\"true\">Head of an Old Man<\/span><\/em><\/a><span data-preserver-spaces=\"true\">\u00a0is housed at the Ashmolean Museum in Oxford and contains many similarities to the painting sold in Paris last weekend.<\/span><\/p>\n<p><span data-preserver-spaces=\"true\">Jorge Coll of the Colnaghi Gallery commented on the sale, noting how not only does the painting sold in Paris contain many similarities to work at the Ashmolean Museum, but also Guercino\u2019s\u00a0<\/span><a class=\"editor-rtfLink\" href=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/9\/90\/Guercino_-_Elijah_fed_by_Ravens%2C_1620.jpg\" target=\"_blank\" rel=\"noopener\"><em><span data-preserver-spaces=\"true\">Elijah Fed by Ravens<\/span><\/em><\/a><span data-preserver-spaces=\"true\">, kept at the National Gallery in London. Therefore, he feels confident that Moses could be positively attributed to the Italian baroque master. Guercino\u2019s auction record is currently \u00a35.2M w\/p (or $7.86M w\/p) when\u00a0<\/span><em><span data-preserver-spaces=\"true\">King David<\/span><\/em><span data-preserver-spaces=\"true\">\u00a0sold at Christie\u2019s London in 2010. So, if this forgotten masterwork receives a positive attribution from a reputable source, who knows what sort of hammer price it might achieve next?<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It\u2019s not every day that you find a forgotten painting by one of the Old Masters. But that is definitely the case for the Italian baroque painter Guercino. It seems like someone suddenly rediscovers one of his portraits or religious &hellip; <a href=\"https:\/\/rehs.com\/eng\/2022\/11\/a-new-old-master\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":6,"featured_media":46372,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[524,345,207,20,484,58,11,9],"class_list":["post-46371","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","category-rehs-contemporary","tag-17th-century","tag-17th-century-art","tag-auction-news","tag-auction-results","tag-italy","tag-old-masters","tag-rehs-contemporary-news","tag-rehs-galleries-news"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>A New Old Master - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"A portrait valued at only \u20ac6K recently sold in Paris for \u20ac590K, leading some to think it&#039;s a forgotten masterpiece by the Italian Baroque master Guercino.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2022\/11\/a-new-old-master\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A New Old Master\" \/>\n<meta property=\"og:description\" content=\"A portrait valued at only \u20ac6K recently sold in Paris for \u20ac590K, leading some to think it&#039;s a forgotten masterpiece by the Italian Baroque master Guercino.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2022\/11\/a-new-old-master\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2022-11-30T20:26:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2022\/11\/FiahXLQX0AEhKql.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"784\" \/>\n\t<meta property=\"og:image:height\" content=\"900\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"2 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2022\\\/11\\\/a-new-old-master\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2022\\\/11\\\/a-new-old-master\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"A New Old Master\",\"datePublished\":\"2022-11-30T20:26:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2022\\\/11\\\/a-new-old-master\\\/\"},\"wordCount\":445,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2022\\\/11\\\/a-new-old-master\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2022\\\/11\\\/FiahXLQX0AEhKql.jpg\",\"keywords\":[\"17th century\",\"17th Century Art\",\"Auction News\",\"Auction Results\",\"italy\",\"Old Masters\",\"Rehs Contemporary - Art World News\",\"Rehs Galleries - Art World News\"],\"articleSection\":[\"Rehs 19th &amp; 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