{"id":44189,"date":"2022-02-27T19:08:45","date_gmt":"2022-02-28T00:08:45","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=44189"},"modified":"2022-02-27T19:08:45","modified_gmt":"2022-02-28T00:08:45","slug":"saving-a-city-one-painting-at-a-time","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2022\/02\/saving-a-city-one-painting-at-a-time\/","title":{"rendered":"Saving A City One Painting At A Time"},"content":{"rendered":"
\"A<\/a>

Spandrel paintings of Saints Luke and John by Giulia Lama (at the church of San Marziale, Venice)<\/p><\/div>\n

Save Venice<\/span><\/a>\u00a0is a US-based nonprofit that works to preserve and educate about Venetian cultural patrimony. The organization raises money to fund the restoration of paintings, sculptures, and public monuments in Venice that have deteriorated over the centuries. In one of their many projects, Save Venice restored 19 works by the sixteenth-century Venetian master Jacopo Tintoretto in time for his 500th birthday in 2018. But the organization found itself with another project in the works due to their Tintoretto restorations. The altarpiece\u00a0<\/span>Saint Martial in Glory with Saints Peter and Paul<\/span><\/em><\/a> was one of the Tintoretto paintings restored. But when conservators returned the painting to the parish church of San Marziale, they noticed two oil paintings on canvas inserted into the spandrels between the arch and the wall above the altarpiece. Save Venice decided to restore the spandrel paintings, showing <\/span>the evangelists Luke and John<\/span><\/a>, to brighten up the entire altar.<\/span><\/span>\u00a0The conservators also worked on two similar spandrel paintings at another altar in the church, showing\u00a0<\/span>Saints Mark and Matthew<\/span><\/a>. When all the oxidized varnish started to come off the canvas, specialists almost immediately recognized that the saints were created by one of Venice\u2019s greatest female artists, Giulia Lama.<\/span><\/p>\n

Giulia Lama was never registered with the painters\u2019 guild and was not widely known among scholars until the twentieth century. She was constantly overshadowed by her male contemporaries like Canaletto and Giambattista Tiepolo. According to Save Venice, Lama has since become \u201cone of the most enigmatic and fascinating figures of the early Venetian Settecento.\u201d Experts had previously attributed much of her work to Giovanni Battista Piazzetta. This is understandable since Lama and Piazzetta were close friends who continually influenced each other. <\/span>Lama\u2019s work is mainly located at some of Venice\u2019s parish churches, like Santa Maria Assunta, Santa Maria Formosa, and San Vidal. Her work also hangs in Venice\u2019s great museums, namely the Gallerie dell\u2019Accademia and the Ca\u2019 Rezzonico.<\/span><\/p>\n

The rediscovery of Giulia Lama\u2019s works at the church of San Marziale prompted Save Venice to start their newest project,\u00a0<\/span>Women Artists of Venice<\/span><\/a>\u00a0(WAV). Work is beginning on the paintings of a few select artists, but specialists have already drawn up a list of about thirty Venetian women whose work will be studied and eventually restored. The restoration projects currently underway include Lama\u2019s evangelist paintings, her\u00a0<\/span>Female Saint in Glory<\/span><\/em><\/a>\u00a0at the church of Santa Maria Assunta, and the pastel portraits by\u00a0<\/span>Rosalba Carriera and Mariana Carlevarijs<\/span><\/a>. Hundreds of thousands of euros have already been donated and appropriated for the WAV. While the work of female artists is not nonexistent in Venetian museums and galleries, up until the WAV there has never been an organized effort to study them as a category of their own.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Save Venice\u00a0is a US-based nonprofit that works to preserve and educate about Venetian cultural patrimony. The organization raises money to fund the restoration of paintings, sculptures, and public monuments in Venice that have deteriorated over the centuries. In one of … More…<\/a><\/p>\n","protected":false},"author":6,"featured_media":44195,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[258,65,58,257],"class_list":["post-44189","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","category-rehs-contemporary","tag-conservation","tag-museums","tag-old-masters","tag-restoration"],"yoast_head":"\nSaving A City One Painting At A Time - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"While restoring a Tintoretto painting in a Venetian church, conservators rediscovered works by Giulia Lama ... and a new project began.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2022\/02\/saving-a-city-one-painting-at-a-time\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Saving A City One Painting At A Time\" \/>\n<meta property=\"og:description\" content=\"While restoring a Tintoretto painting in a Venetian church, conservators rediscovered works by Giulia Lama ... and a new project began.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2022\/02\/saving-a-city-one-painting-at-a-time\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2022-02-28T00:08:45+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2022\/02\/Giulia-Lama-Saint-Luke-and-Saint-John-In-Situ-768x379-1.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"768\" \/>\n\t<meta property=\"og:image:height\" content=\"379\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"3 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2022\\\/02\\\/saving-a-city-one-painting-at-a-time\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2022\\\/02\\\/saving-a-city-one-painting-at-a-time\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Saving A City One Painting At A Time\",\"datePublished\":\"2022-02-28T00:08:45+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2022\\\/02\\\/saving-a-city-one-painting-at-a-time\\\/\"},\"wordCount\":491,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2022\\\/02\\\/saving-a-city-one-painting-at-a-time\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2022\\\/02\\\/Giulia-Lama-Saint-Luke-and-Saint-John-In-Situ-768x379-1.jpg\",\"keywords\":[\"Conservation\",\"museums\",\"Old Masters\",\"Restoration\"],\"articleSection\":[\"Rehs 19th & 20th\",\"Rehs Contemporary\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2022\\\/02\\\/saving-a-city-one-painting-at-a-time\\\/\",\"url\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2022\\\/02\\\/saving-a-city-one-painting-at-a-time\\\/\",\"name\":\"Saving A City One Painting At A Time - 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