{"id":43557,"date":"2021-12-30T14:47:35","date_gmt":"2021-12-30T19:47:35","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=43557"},"modified":"2021-12-30T14:47:35","modified_gmt":"2021-12-30T19:47:35","slug":"nfts-newest-scammers-tool","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2021\/12\/nfts-newest-scammers-tool\/","title":{"rendered":"NFTs: Newest Scammers\u2019 Tool?"},"content":{"rendered":"

\"NFTs:<\/a>Well, I\u2019ve given in to the pressure, and I\u2019m writing about NFTs. I wasn\u2019t planning on doing so, but then I saw an article in the Washington Post<\/em> called \u201cWill NFTs transform the art world?<\/a>\u201d So now I feel obligated to step in with a warning. The Post<\/em> journalist, Sebastian Smee, tried to answer many of the questions that many are having about NFTs in the wake of Art Basel Miami Beach, where NFTs were prominently featured. But it wasn\u2019t until the very end that Smee revealed a small segment of the ugly truth behind NFTs, mainly the environmental cost. But I\u2019m going to expand on what he may have left out.<\/p>\n

Non-fungible tokens (NFTs) are, to put it as simply as possible, a sort of digital image. NFTs use the same kind of technology behind cryptocurrencies, where one\u2019s ownership constitutes owning part of a computer code that also serves as a ledger detailing previous ownership. So, when someone says they own an NFT, what they really have is part of a piece of coding represented by a JPEG image. All that, except more problematic than one would ever think. There have been so many stories of NFT-related lawsuits recently because of one of the most glaring flaws in the concept of NFTs: no oversight of copyright. When someone has an actual image, they can own and monetize it. For example, Gene Simmons owns the rights<\/a> to the money bag symbol. Yes, the bassist from KISS, the man who wrote \u201cCalling Dr. Love,\u201d holds the copyright to the drawing of the bulging bag tied with string at the top with a dollar sign on it. But with NFTs, this isn\u2019t happening. Currently, anyone can take an artist\u2019s work, turn it into an NFT, share\/sell it countless times, and the original artist is not receiving compensation.<\/p>\n

Of course, as soon as NFTs became the hot new fad this year, scammers quickly began to take advantage. Because NFTs are not even close to being regulated by any centralized body, it has become common for people to steal an artist\u2019s work, mint an NFT, and then profit from it. This has already happened to Anish Kapoor<\/a>, Qing Han (aka Quinni<\/a>), and Derek Laufman<\/a>, among many others. While some online NFT markets have made sure to act when an artist calls this sort of activity to their attention, they take no preventative measures to ensure that theft and impersonation don\u2019t happen in the first place. So, you don\u2019t need to own the copyright to an image to mint an NFT. Plus, there\u2019s a dangerous lack of oversight for those who deal in NFTs. This makes the very concept a scammer\u2019s dream.<\/p>\n

Most people only found out about NFTs because of Mike Winkelmann, also known as Beeple. In March, a collection of his works sold at Christie\u2019s for $69 million<\/a>. The collection, known as Everydays<\/em>, started as a challenge to create one digital work every day for over five thousand days. That sort of exercise is a pretty good idea for keeping one\u2019s creativity sharp. But clearly, the collection would not have sold for that much if anyone bothered to look at the actual images. Artnet\u2019s Ben Davis<\/a> took the time to do just that. Some of them are just bad. Objectively bad. If there weren\u2019t any hype around the idea of NFTs, Beeple would be lucky to get a couple of bucks from his work selling them from a folding table in Times Square. Then you occasionally get a few that are just plain off-putting. Things that are sexualized that shouldn\u2019t be, like the Dalai Lama<\/a> or Babar the Elephant<\/a>. Then some may come across as racially-insensitive or sexist. While a lot of that problematic stuff only appears in the project\u2019s first days in 2007 and 2008, Beeple\u2019s more recent additions to the collection have gone off the edge. There are images that not even the creators of the Saw<\/em> and Human Centipede<\/em> movies would think possible. Santa Claus killing his elves<\/a>, a baby-eating monster with the head of Mickey Mouse<\/a>, and a concerning amount of nude Donald Trumps. The rest of the collection is interesting and inoffensive, like a bunch of well-made screensavers.<\/p>\n

Of course, even Beeple isn\u2019t immune from scammers, even to the point of Beeple himself being in on the scam (Input Magazine<\/a> puts it much better than me, but I\u2019m going to try). The buyer of the Everydays<\/em> collection, Vignesh Sundaresan (aka MetaKovan), was already known for being a sketchy cryptocurrency trader. After the sale, he announced that he would sell fractional ownership of the collection through his own B20 token. While buying and reselling isn\u2019t uncommon in the art world, there\u2019s something a little fishy going on here. Sundaresan owns 59% of the B20 tokens in existence, while Beeple himself owns 2%. So, while there\u2019s nothing technically illegal here, what seems to have happened is that the buyer and seller arranged for an extensively-publicized multimillion-dollar transaction to take place with the intent of artificially inflating the value of the crypto-token that they own. It\u2019s precarious, maybe a little scammy, and part of me thinks that if NFTs were regulated in any way, this kind of deal would fall under the same sort of white-collar crime as insider trading or pump-and-dump schemes.<\/p>\n

But of course, we can never know what actually happened or what may have happened if there were more oversight in this new chaotic corner of the art world. NFTs are definitely here to stay; there\u2019s no doubt about that. And when appropriately regulated, they are a terrific idea that would ensure that artists get paid for their work. But as of right now, NFTs are not perfect. In the same way our ancestors went crazy for things like tulips and spices, the hype and the chaos surrounding NFTs will hopefully lead to clamping down on scammers and grifters. That way, NFTs can indeed become the revolutionary new medium that their proponents say it is.<\/p>\n","protected":false},"excerpt":{"rendered":"

Well, I\u2019ve given in to the pressure, and I\u2019m writing about NFTs. I wasn\u2019t planning on doing so, but then I saw an article in the Washington Post called \u201cWill NFTs transform the art world?\u201d So now I feel obligated … More…<\/a><\/p>\n","protected":false},"author":6,"featured_media":43559,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[536,32],"class_list":["post-43557","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-contemporary","tag-nft","tag-the-dark-side"],"yoast_head":"\nNFTs: Newest Scammers\u2019 Tool? - Rehs Galleries<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2021\/12\/nfts-newest-scammers-tool\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NFTs: Newest Scammers\u2019 Tool?\" \/>\n<meta property=\"og:description\" content=\"Well, I\u2019ve given in to the pressure, and I\u2019m writing about NFTs. 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