{"id":42924,"date":"2021-11-05T16:32:26","date_gmt":"2021-11-05T20:32:26","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=42924"},"modified":"2021-11-05T16:32:26","modified_gmt":"2021-11-05T20:32:26","slug":"art-crime-in-a-time-of-covid","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2021\/11\/art-crime-in-a-time-of-covid\/","title":{"rendered":"Art Crime In A Time Of Covid"},"content":{"rendered":"

The pandemic has been an interesting period to study. With nearly everyone abiding by the prescribed public health measures for nearly two years, not only have our lives clearly changed, but the processes that govern our lives have changed as well; the way we work, the way we shop, the way we educate our children, even the way we commit crimes. While crime as a whole has decreased, an\u00a0<\/span>Interpol report<\/span><\/a>\u00a0from last month revealed that many forms of crime related to art and cultural property have skyrocketed. Across 72 countries in 2020 alone, the amount of contraband art seized by law enforcement nearly doubled in the Americas and increased by about 23% in Europe. Though the increase in Europe was nowhere near as large as in the Americas, about two-thirds of the over 800,000 objects seized from traffickers and smugglers were confiscated in Europe, which only goes to show how much stolen art is sent to Europe in a relatively normal year.<\/span><\/p>\n

\"Vincent<\/a>

Vincent van Gogh’s \u201cThe Parsonage Garden at Nuenen in Spring 1884 \u201d<\/p><\/div>\n

Looting and illegal excavations have also increased. While digs in Africa increased by 32% last year, similar digs in the Americas rose by 187%. But that is nothing compared to the increase in looting in Asia and the Pacific, which increased thirty-eight times from the previous year. Since nearly all museums were closed for much of 2020, it is not surprising that museum crimes have plummeted. The only notable exceptions to this overall trend were the\u00a0<\/span>theft of a Van Gogh painting<\/span><\/a>\u00a0from a museum in the Dutch town of Laren, and the theft of three pieces\u00a0<\/span>from a gallery in Oxford, UK<\/span><\/a>, both in March of last year. But just because crime in museums was down doesn\u2019t mean all went well for those institutions. Because of the closures, nonprofit arts organizations have seen\u00a0<\/span>40% decreases in overall income<\/span><\/a>, or about $5 billion in losses.<\/span><\/p>\n

It seems that international law enforcement has banded together to adapt to the changing trends in art-related crimes. For example, the European Union Agency for Law Enforcement Cooperation (Europol) and the World Customs Organization\u00a0<\/span>carried out joint operations<\/span><\/a>\u00a0that targeted cartels of art traffickers operating in 103 countries. So far, these collaborative undertakings have recovered over 19,000 objects. But nowadays, some forgers and smugglers operate in a strangely open and public way to the point that it becomes indistinguishable from a comedy sketch. Over the past year or two, the Antiquities Trafficking and Heritage Anthropology Research Project (<\/span>ATHAR<\/span><\/a>) has reported that one of the main ways groups engaged in looting and smuggling keep in contact is through, of all things, Facebook groups.\u00a0<\/span>ATHAR\u2019s Twitter account<\/span><\/a>\u00a0has posted screenshots of particular Facebook groups, with members numbering in the hundreds of thousands, where smugglers and looters share pictures and videos of looted items. It\u2019s absolutely inconceivable that some smuggling operations are difficult to prevent when the masterminds behind them use the same communications techniques as suburban housewives involved in MLMs.<\/span><\/p>\n

The pandemic has also seen its fair share of forgery stories. Over the summer,\u00a0<\/span>Angel Pereda was arrested<\/span><\/a>\u00a0for wire fraud relating to several forged works that he claimed were by Jean-Michel Basquiat and Keith Haring. He now faces up to twenty years in prison for trying to sell these forged works at auction houses in New York. The Haring fakes, one painting, and one vase, were uncovered thanks to evaluations done by the Keith Haring Foundation. Regarding the fake Basquiat painting, experts were tipped off about the dubious origins of the work because of questionable provenance documents. If the Basquiat were authentic, it would hypothetically be worth around $6 million.<\/span><\/p>\n

\"christ<\/a>

Fake El Greco<\/p><\/div>\n

Francis Bacon has also been getting some attention, with accusations of forgery aimed at multiple, unconnected people. This year, Bacon\u2019s estate published\u00a0<\/span>a book of his studies<\/span><\/a>, in which his friend\u00a0<\/span>Barry Joule<\/span><\/a>\u00a0is accused of passing off his own sketches as those of Bacon. Because of this claim, the works Joule provided to the Tate in London have been taken down, much to Joule\u2019s chagrin. At the same time, in an unconnected incident, nearly\u00a0<\/span>500 Francis Bacon forgeries<\/span><\/a>\u00a0were confiscated by Italian authorities in September. Had the works been genuine, this collection would have been worth \u20ac3 million. An investigation uncovered a conspiracy consisting of five people who intended to provide false authentications for the works and then sell them. The apparent mastermind behind the scheme, a man from Bologna, had previously been investigated for trying to sell forged Picasso works. Other 20th century artists, including\u00a0<\/span>Raymond Pettibon<\/span><\/a>,\u00a0<\/span>Richard Hambleton, and Barkley Henricks<\/span><\/a>, had their works forged and sold during the pandemic. Even Old Masters like\u00a0<\/span>Francisco de Goya<\/span><\/a>\u00a0and\u00a0<\/span>El Greco<\/span><\/a>\u00a0were not spared. However, we are not sure if instances of art forgery have legitimately increased, or if their coverage has simply become a more frequent subject for news sites.<\/span><\/p>\n

This pandemic is one of those once-in-a-lifetime periods that radically changed certain aspects of our lives, much in the same way that Watergate or the First World War served as similar junctures. Law enforcement and the scholarly community may have to seriously reconsider how smuggling and forging are prevented and detected due to the new realities of the pandemic that we\u2019ve all grown accustomed to.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

The pandemic has been an interesting period to study. With nearly everyone abiding by the prescribed public health measures for nearly two years, not only have our lives clearly changed, but the processes that govern our lives have changed as … More…<\/a><\/p>\n","protected":false},"author":6,"featured_media":42925,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[385,412],"class_list":["post-42924","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","tag-crime","tag-forgeries"],"yoast_head":"\nArt Crime In A Time Of Covid - Rehs Galleries<\/title>\n<meta name=\"description\" content=\"During the pandemic, art crime throughout the world have risen to heights not seen in the past few decades.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2021\/11\/art-crime-in-a-time-of-covid\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Art Crime In A Time Of Covid\" \/>\n<meta property=\"og:description\" content=\"During the pandemic, art crime throughout the world have risen to heights not seen in the past few decades.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2021\/11\/art-crime-in-a-time-of-covid\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:published_time\" content=\"2021-11-05T20:32:26+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2021\/11\/Forged-paintings-2.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"892\" \/>\n\t<meta property=\"og:image:height\" content=\"1140\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Nathan Scheer\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Nathan Scheer\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2021\\\/11\\\/art-crime-in-a-time-of-covid\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2021\\\/11\\\/art-crime-in-a-time-of-covid\\\/\"},\"author\":{\"name\":\"Nathan Scheer\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#\\\/schema\\\/person\\\/1d33fd182b28afdad8fc3548ffe6bdc4\"},\"headline\":\"Art Crime In A Time Of Covid\",\"datePublished\":\"2021-11-05T20:32:26+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2021\\\/11\\\/art-crime-in-a-time-of-covid\\\/\"},\"wordCount\":892,\"publisher\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2021\\\/11\\\/art-crime-in-a-time-of-covid\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/rehs.com\\\/eng\\\/wp-content\\\/uploads\\\/2021\\\/11\\\/Forged-paintings-2.jpg\",\"keywords\":[\"crime\",\"forgeries\"],\"articleSection\":[\"Rehs 19th & 20th\"],\"inLanguage\":\"en-US\"},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2021\\\/11\\\/art-crime-in-a-time-of-covid\\\/\",\"url\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2021\\\/11\\\/art-crime-in-a-time-of-covid\\\/\",\"name\":\"Art Crime In A Time Of Covid - 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