{"id":40691,"date":"2020-10-23T17:01:40","date_gmt":"2020-10-23T21:01:40","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=40691"},"modified":"2020-10-23T17:01:40","modified_gmt":"2020-10-23T21:01:40","slug":"christies-19th-century-part-ii","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2020\/10\/christies-19th-century-part-ii\/","title":{"rendered":"Christie&#8217;s 19th-Century: Part II"},"content":{"rendered":"<div id=\"attachment_40693\" style=\"width: 230px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hidden-navez-volker-hermes.jpeg\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" aria-describedby=\"caption-attachment-40693\" class=\"wp-image-40693\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hidden-navez-volker-hermes-300x252.jpeg\" alt=\"two women\" width=\"220\" height=\"185\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hidden-navez-volker-hermes-300x252.jpeg 300w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hidden-navez-volker-hermes-1024x860.jpeg 1024w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hidden-navez-volker-hermes-768x645.jpeg 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hidden-navez-volker-hermes-1536x1289.jpeg 1536w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hidden-navez-volker-hermes-2048x1719.jpeg 2048w\" sizes=\"(max-width: 220px) 100vw, 220px\" \/><\/a><p id=\"caption-attachment-40693\" class=\"wp-caption-text\">Francois-Joseph Navez<\/p><\/div>\n<p>On the 16<sup>th<\/sup>, Christie\u2019s presented Part II of their 19<sup>th<\/sup>-century works, and it was a continuation of a difficult situation &#8212; lack of good quality material.<\/p>\n<div id=\"attachment_40692\" style=\"width: 243px\" class=\"wp-caption alignright\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hendrik_reekers_still_life_with_summer_flowers-scaled.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" aria-describedby=\"caption-attachment-40692\" class=\"wp-image-40692 size-medium\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hendrik_reekers_still_life_with_summer_flowers-233x300.jpg\" alt=\"colorful flowers in a vase\" width=\"233\" height=\"300\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hendrik_reekers_still_life_with_summer_flowers-233x300.jpg 233w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hendrik_reekers_still_life_with_summer_flowers-795x1024.jpg 795w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hendrik_reekers_still_life_with_summer_flowers-768x990.jpg 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hendrik_reekers_still_life_with_summer_flowers-1192x1536.jpg 1192w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hendrik_reekers_still_life_with_summer_flowers-1589x2048.jpg 1589w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/hendrik_reekers_still_life_with_summer_flowers-scaled.jpg 1986w\" sizes=\"(max-width: 233px) 100vw, 233px\" \/><\/a><p id=\"caption-attachment-40692\" class=\"wp-caption-text\">Hendrik Reekers<\/p><\/div>\n<p>Taking the top spot was Francois-Joseph Navez\u2019s <em>Two Italians<\/em>. The painting was estimated to bring $40-60K and sold for $100K ($125K w\/p) \u2026 this seller was one of the happier ones. Hendrik Reekers\u2019 <em>Still Life with Summer Flowers<\/em> took second at $70K ($87.5K w\/p \u2013 estimate $80-120K), and a collaborative work between Corot and Jules-Antoine Demeur,<em> Arleux-du-Nord<\/em><em>\u2060\u2060<\/em><em>\u2014le bord des clairs<\/em>, took third place at $60k ($75k W\/P \u2013 est. $40-60K).\u00a0 Rounding out the top five were a small, sketchy, Corot &#8211; <em>La Rochelle &#8211; un coin de la cour de la<\/em> \u2013 that brought $48K ($60K w\/p \u2013 est. $60-80K), and in fifth, there was a tie between two sculptures: A Batacchi\u2019s <em>Innocence Tormented by Love<\/em> and Jean-Baptiste Carpeaux\u2019s <em>Aurora<\/em> were each expected to bring between $30-50K and hammered at $42K (52.5K w\/p).<\/p>\n<div id=\"attachment_40694\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/jean-baptiste-camille_corot_and_jules-antoine_demeur_dit_demeur-chanto-scaled.jpg\" target=\"_blank\" rel=\"noopener noreferrer\"><img decoding=\"async\" aria-describedby=\"caption-attachment-40694\" class=\"wp-image-40694 size-medium\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/jean-baptiste-camille_corot_and_jules-antoine_demeur_dit_demeur-chanto-300x188.jpg\" alt=\"french landscape with boat\" width=\"300\" height=\"188\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/jean-baptiste-camille_corot_and_jules-antoine_demeur_dit_demeur-chanto-300x188.jpg 300w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/jean-baptiste-camille_corot_and_jules-antoine_demeur_dit_demeur-chanto-1024x643.jpg 1024w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/jean-baptiste-camille_corot_and_jules-antoine_demeur_dit_demeur-chanto-768x482.jpg 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/jean-baptiste-camille_corot_and_jules-antoine_demeur_dit_demeur-chanto-1536x965.jpg 1536w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/10\/jean-baptiste-camille_corot_and_jules-antoine_demeur_dit_demeur-chanto-2048x1286.jpg 2048w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-40694\" class=\"wp-caption-text\">Corot and Demeur<\/p><\/div>\n<p>Only three works in this sale achieved prices above their estimate range, the Navez mentioned earlier, as well as a tiny (6.25 x 8.625 inch) Sanchez-Perrier landscape, <em>A Midday\u2019s Rest<\/em>, at $20K ($25K w\/p \u2013 est. $8-12K), and Jozef Israels\u2019s <em>Mending the Nets<\/em> at $30K ($37.5K w\/p \u2013 est. $15-20K).\u00a0 On the other side of the coin, many works did not find buyers (I know that condition issues and high estimates were the main stumbling blocks). Among them were a small Lhermitte (est. $80-120K), a Paolo Sala (est. $80-120K), an Elsley (est. $100-150K \u2013 this one had condition issues), and a de Schryver (est. $120-180K).\u00a0 There was one result that left me wondering&#8230; lot 27 was a 30 x 19-inch nude by Julius Leblanc Stewart.\u00a0 The painting was estimated at $80-120K and sold for $11K ($13.8K w\/p). So, the question now is: was their estimate way off, or did someone get the bargain of a lifetime?\u00a0 Guess we will find out when it comes up for sale again.<\/p>\n<p>By the time the 62 lot sale was over, just 27 works found buyers (43.5% sell-through rate), and the total take was $659K ($820K w\/p) \u2026 the low end of their estimate range was $1.89M \u2026 so they were WAY short (still an understatement).\u00a0 Of the 27 sold works, 18 were below, 6 within, and 3 above their presale estimate ranges; this left them with an accuracy rate of just 9.7%. Yikes.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>On the 16th, Christie\u2019s presented Part II of their 19th-century works, and it was a continuation of a difficult situation &#8212; lack of good quality material. Taking the top spot was Francois-Joseph Navez\u2019s Two Italians. The painting was estimated to &hellip; <a href=\"https:\/\/rehs.com\/eng\/2020\/10\/christies-19th-century-part-ii\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":21,"featured_media":40693,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[384,409,20],"class_list":["post-40691","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-contemporary","tag-19th-century-european","tag-auction-failures","tag-auction-results"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Christie&#039;s 19th-Century: Part II - Rehs Galleries<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2020\/10\/christies-19th-century-part-ii\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Christie&#039;s 19th-Century: Part II\" \/>\n<meta property=\"og:description\" content=\"On the 16th, Christie\u2019s presented Part II of their 19th-century works, and it was a continuation of a difficult situation &#8212; lack of good quality material. 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