{"id":40186,"date":"2020-07-27T09:00:27","date_gmt":"2020-07-27T13:00:27","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=40186"},"modified":"2024-02-26T00:49:24","modified_gmt":"2024-02-26T05:49:24","slug":"sothebys-contemporary-evening-online-pt-2","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2020\/07\/sothebys-contemporary-evening-online-pt-2\/","title":{"rendered":"Sotheby\u2019s Contemporary Evening &#8211; Online pt 2"},"content":{"rendered":"<div id=\"attachment_40189\" style=\"width: 353px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/Bacon.jpg\"><img decoding=\"async\" aria-describedby=\"caption-attachment-40189\" class=\" wp-image-40189\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/Bacon-300x124.jpg\" alt=\"Francis Bacon - Triptych Inspired by the Oresteia of Aeschylus\" width=\"343\" height=\"142\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/Bacon-300x124.jpg 300w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/Bacon-1024x423.jpg 1024w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/Bacon-768x318.jpg 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/Bacon-1536x635.jpg 1536w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/Bacon.jpg 2000w\" sizes=\"(max-width: 343px) 100vw, 343px\" \/><\/a><p id=\"caption-attachment-40189\" class=\"wp-caption-text\">Francis Bacon &#8211; Triptych Inspired by the Oresteia of Aeschylus<\/p><\/div>\n<p>Immediately following the Ginny Williams collection, Sotheby\u2019s offered up 30 lots of Contemporary work, though it was a far cry from the usual slate of works featured in an evening sale\u2026 the high end of the sale estimate was $239M &#8211; just for a frame of reference, last year Sotheby\u2019s Contemporary Evening sale totaled $341M and Christie\u2019s totaled more than half a billion.<\/p>\n<div id=\"attachment_40188\" style=\"width: 310px\" class=\"wp-caption alignright\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/lichtenstein.jpg\"><img decoding=\"async\" aria-describedby=\"caption-attachment-40188\" class=\"size-medium wp-image-40188\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/lichtenstein-300x256.jpg\" alt=\"Roy Lichtenstein - White Brushstroke 1\" width=\"300\" height=\"256\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/lichtenstein-300x256.jpg 300w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/lichtenstein.jpg 385w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-40188\" class=\"wp-caption-text\">Roy Lichtenstein &#8211; White Brushstroke 1<\/p><\/div>\n<p>The top lot of the session was none other than Francis Bacon, who has become a staple in evening sales\u2026 no other lot came close. Expected to sell for $60-80M, the sizable triptych which has been privately held for more than 30 years, found a buyer at $74M ($84.5M w\/p). A work by Clyfford Still titled <em>PH-144(1947-Y-NO.1)<\/em> took second at the low end of its range\u2026 $25M on a $25-35M estimate ($28.7M w\/p). Rounding out the top three was Roy Lichtenstein\u2019s <em>White Brushstroke 1<\/em>, which was guaranteed going into the sale\u2026 it found a buyer at $23.5M ($25.4M w\/p) on a $20-30M estimate. Surprisingly, this work last sold at Christie\u2019s in 1993 and went below estimate (even with the premium). At that time, the estimate was only $750-950K! This time around, the seller was certainly happy with the results given they acquired the work for just $728K &#8211; a roughly 3,100% return.<\/p>\n<div id=\"attachment_40187\" style=\"width: 227px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/still.jpg\"><img decoding=\"async\" aria-describedby=\"caption-attachment-40187\" class=\" wp-image-40187\" src=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/still-256x300.jpg\" alt=\"Clyfford Still - PH-144 (1947-Y-NO.1)\" width=\"217\" height=\"254\" srcset=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/still-256x300.jpg 256w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/still-873x1024.jpg 873w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/still-768x901.jpg 768w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/still-1309x1536.jpg 1309w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/still-1746x2048.jpg 1746w, https:\/\/rehs.com\/eng\/wp-content\/uploads\/2020\/07\/still.jpg 2000w\" sizes=\"(max-width: 217px) 100vw, 217px\" \/><\/a><p id=\"caption-attachment-40187\" class=\"wp-caption-text\">Clyfford Still &#8211; PH-144 (1947-Y-NO.1)<\/p><\/div>\n<p>Only one lot provided a truly surprising result\u2026 the first lot up \u2013 Matthew Wong\u2019s <em>The Realm of Appearances<\/em> saw some spirited bidding as it climbed to $1.5M ($1.8M w\/p) though it was estimated at just $60-80K\u2026 if anyone can explain that, I\u2019m all ears.<\/p>\n<p>There were five work that sold below estimate, along with one failure\u2026 the most significant were works by Diebenkorn ($7.7M on $9-12M est.) and Henry Moore ($2.95M on $4-6M est.), as well as the Basquiat which sputtered out at $1.3M on a $1.5-2M estimate, leaving it unsold.<\/p>\n<p>Half of the lots (15 of 30) were sold within their estimate range, along with another 9 that topped their estimate, so 80% saw good results\u2026 and with just one unsold, that works out to 97% sold \u2013 a solid showing given the circumstances. The 29 sold lots totaled $203M ($234.9M w\/p) and they were expecting between $171-239; not too far off the high end, but well off last year\u2019s levels.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Immediately following the Ginny Williams collection, Sotheby\u2019s offered up 30 lots of Contemporary work, though it was a far cry from the usual slate of works featured in an evening sale\u2026 the high end of the sale estimate was $239M &hellip; <a href=\"https:\/\/rehs.com\/eng\/2020\/07\/sothebys-contemporary-evening-online-pt-2\/?contemporary=N\">More&#8230;<\/a><\/p>\n","protected":false},"author":5,"featured_media":40189,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[207,20,429],"class_list":["post-40186","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-contemporary","tag-auction-news","tag-auction-results","tag-contemporary-art"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.7 (Yoast SEO v27.7) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Sotheby\u2019s Contemporary Evening - Online pt 2<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2020\/07\/sothebys-contemporary-evening-online-pt-2\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sotheby\u2019s Contemporary Evening - Online pt 2\" \/>\n<meta property=\"og:description\" content=\"Immediately following the Ginny Williams collection, Sotheby\u2019s offered up 30 lots of Contemporary work, though it was a far cry from the usual slate of works featured in an evening sale\u2026 the high end of the sale estimate was $239M &hellip; 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