{"id":38631,"date":"2019-11-21T05:13:00","date_gmt":"2019-11-21T10:13:00","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=38631"},"modified":"2023-12-28T05:13:09","modified_gmt":"2023-12-28T10:13:09","slug":"smooth-sailing-at-sothebys-post-war-contemporary-evening","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2019\/11\/smooth-sailing-at-sothebys-post-war-contemporary-evening\/","title":{"rendered":"Smooth Sailing at Sotheby’s – Post-War & Contemporary Evening"},"content":{"rendered":"
\"de

de Kooning<\/p><\/div>\n

With the auction mega-week coming to a close, it was Sotheby\u2019s who had last licks at the Post-War and Contemporary arena\u2026 at this point the running total for the week, including day sales, was $932.9M so we\u2019re definitely clearing that $1 billion mark between Christie\u2019s and Sotheby\u2019s\u2026 just remember that Christie\u2019s single-handedly pushed $1.1 billion out the door in the same set of sales last year, so we\u2019re undoubtedly operating in a very different environment. Let’s get into it…<\/p>\n

\"Rothko\"

Rothko<\/p><\/div>\n

The first thing I noticed looking at the results, perhaps not so surprisingly, is the top three lots went to private collections in Asia\u2026 in fact, the top lot and the number three lot went to the same buyer. That top lot was Willem de Kooning\u2019s Untitled XXII<\/em> which was estimated at $25-35M and hammered just inside the range at $26.2M ($30.1M w\/p) \u2013 it was being offered from the private collection of Robert Mnuchin. As for the buyer, while it has not been confirmed, much speculation points to Japanese billionaire Yusaka Maezawa\u2026 it\u2019s noted that over the past year, Maezawa has sold off a number of works, but just last week it was announced that Yahoo Japan is buying a controlling 50.1% stake in his company, ZOZO\u2026 for $3.7 billion. Not far behind was a work by Rothko, also estimated at $25-35M\u2026 this one hammered a bit short of that expectation at $23M ($26.4M w\/p and 8% below estimate). It last appeared on the market in 2005, when it was offered through Christie\u2019s New York and achieved a price of $5.6M. Just prior to the sale, Sotheby\u2019s was able to arrange a third-party guarantee on the lot\u2026 given that it went below the estimate this time around, I have to assume the guarantor was the one who ended up with the work. Rounding out the top three was Clyfford Still\u2019s PH-399<\/em>, which topped its $12-18M estimate\u2026 this lot was the center of a contentious 15-minute bidding war before the hammer fell at $21M ($24.2M w\/p).\u00a0 Again, this lot was scooped up by the same paddle number as the de Kooning, so that single buyer dropped more than $50M!<\/p>\n

\"Still\"

Still<\/p><\/div>\n

Rounding out the top five were a couple of interesting results\u2026 Kerry James Marshall\u2019s Vignette 19<\/em> and Brice Marden\u2019s Number <\/em>Two. The work by Marshall soared to a $16M hammer ($18.4M w\/p) on a $6.5-7.5M estimate \u2013 that hammer price is 113% above the estimate, making it one of the best performing lots of the evening. The Marden, while it set a new auction record for the artist, sold on a single $9.6M bid (est. $10-15M) and most likely to the third-party guarantor. Just a few blocks away, Gagosian has a sold-out show of new works on display by Brice Marden, so I assume the seller was looking to capitalize on that. I\u2019d be curious to know if it was Gagosian himself who guaranteed the work\u2026 a new auction record for an artist, just after you sold out their show is certainly a good thing to tout to all of your clients (and Gagosian surely has the pockets to buoy his own artists market).<\/p>\n

In addition to the aforementioned lots, there were quite a few others that saw impressive prices. Statistically speaking, the top performer was Norman Lewis\u2019 Ritual <\/em>which hammered at $2.3M ($700k-1M\/130% above estimate). Others included works by Charles White at $1.45M (est. $500-700K\/107% above estimate); Jackson Pollock at $3.5M (est. $1.5-2M\/75% above estimate); Dubuffet at $3.7M (est. $1.8-2.5M\/48% above estimate); John Currin at $950k (est. $500-700K\/36% above estimate); Wool at $2.7M (est. $1.5-2M\/35% above estimate); and Kerry James Marshall at $4.6M (est. $2.5-3.5\/31% above estimate). Other works by Wool, Basquiat, and Ruscha topped their estimates, but just barely.<\/p>\n

\"Hockney\"

Hockney<\/p><\/div>\n

As for the works going low, we saw a Ruscha hammer at $1.4 on a $2-3M estimate (30% below); a Joseph Cornell go for $1.4M (est. $1.8-2.5M\/22% below estimate); a Joan Mitchell at $4.1M (est. $5-7M\/18% below estimate); and a Baselitz at $4.5M (est. $5-7M\/10% below estimate)\u2026 in total, there were 10 works that hammered below their estimate in addition to four works failing altogether \u2013 the most significant miss being Hockney\u2019s Yves-Marie in the Rain<\/em>, which was sporting an $8-12M estimate. Works by Hoffman, Motherwell, and Jesus Rafael Soto shared the same fate.<\/p>\n

At the end of the session, 46 (92%) works were sold for a hammer total of $229.8M\u2026 going in, they were expecting between $205.7-283.3 and they cleared that without the premiums\u2026 once you add those in, it bumps the sale up to $270.6M which is pushing the top end of their range. Cumulatively for the week, we\u2019re looking at a whopping total of $1.3 billion (including Friday\u2019s Day Sale at Sotheby\u2019s) \u2013 a respectable figure but a far cry from the $1.87 billion the market saw last year. That said, all things considered, this was a pretty solid sale\u2026 they kept their BI rate low (8%), were accurate in their estimates (44% within range), and it wasn\u2019t floated by a major lot or two (the top lot accounted for about 11% of the sale total). It was a stable end to an otherwise rocky auction week in New York.<\/p>\n","protected":false},"excerpt":{"rendered":"

With the auction mega-week coming to a close, it was Sotheby\u2019s who had last licks at the Post-War and Contemporary arena\u2026 at this point the running total for the week, including day sales, was $932.9M so we\u2019re definitely clearing that … More…<\/a><\/p>\n","protected":false},"author":5,"featured_media":38632,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[207,134,20,429],"class_list":["post-38631","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-contemporary","tag-auction-news","tag-auction-records","tag-auction-results","tag-contemporary-art"],"yoast_head":"\nSmooth Sailing At Sotheby\u2019s \u2013 Post-War And Contemporary Evening<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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