{"id":31257,"date":"2019-01-31T13:31:29","date_gmt":"2019-01-31T18:31:29","guid":{"rendered":"https:\/\/rehs.com\/eng\/?p=31257"},"modified":"2024-10-27T17:35:20","modified_gmt":"2024-10-27T21:35:20","slug":"how-to-safely-navigate-the-art-market-the-catalogue-raisonne","status":"publish","type":"post","link":"https:\/\/rehs.com\/eng\/2019\/01\/how-to-safely-navigate-the-art-market-the-catalogue-raisonne\/","title":{"rendered":"How To Safely Navigate The Art Market: The Catalogue Raisonn\u00e9"},"content":{"rendered":"

\"How<\/a>
\nSince I touched on expertise last month, I thought it would be appropriate to follow-up with an article about Catalogue Raisonn\u00e9s (C.R.). I have used this term many times in my career, and occasionally, someone stops me asking what exactly a Catalogue Raisonn\u00e9 is.\u00a0 To begin with, the words are French and Wikipedia describes it as \u201ca comprehensive, annotated listing of all the known artworks by an artist either in a particular medium or all media. The works are described in such a way that they may be reliably identified by third parties.\u201d<\/p>\n

Now that you know the technical definition, let\u2019s tell you what it is all about.\u00a0 A catalogue raisonn\u00e9 is a book that is written by the artist\u2019s leading expert\/experts, with the aim of listing all of the works that the chosen artist has created.\u00a0 These projects usually contain photographs of the works, along with as much documentation as possible — size, medium, provenance, signature location, date, inscriptions, labels that may appear on the reverse, exhibition history, and some go as far as including the work\u2019s condition \u2013 something I personally think should only be noted if the painting has been drastically altered because of the restoration; otherwise this is far too subjective.\u00a0 I can tell you that while an expert might have a good handle on authenticity, some are far from experts on condition.<\/p>\n

A Catalogue Raisonn\u00e9 will include an essay on the life and work of the artist as well as examples of their signatures, listings of museums and public collections where works can be found, and additional publications where the artist is mentioned.\u00a0 Much of this information needs to be gathered from old books, reviews, letters, diaries, account books, legal documents, dealer records, etc. \u2013 just finding all of this material takes an enormous amount of time.\u00a0 Even after much of the documentation is found, translated (if need be), and compiled, there are often large gaps left in the lives of many artists \u2013 some of which may never be filled in.<\/p>\n

The end result is a publication (either printed or online) that will then be considered the \u2018bible\u2019 of that artist\u2019s work. Future buyers, sellers, and researchers will have the ability to search the catalogue and see if a specific work is listed \u2026 if it is, then they are pretty confident it has been vetted and generally believed to be genuine \u2013 at least in the opinion of the individual, or committee, that conducted the research.<\/p>\n

While the ultimate goal of these projects is to list every work the artist created, that is rarely possible as some works have been lost, destroyed, or will remain unaccounted for.\u00a0 Remember that not every current owner knows exactly what they have; some may never know about the project. Only when they decide to sell may they learn about the C.R.<\/p>\n

One interesting result of a C.R. being published is that many more works begin to surface.\u00a0 This then sets the experts on a course to start a second volume (if it was done in book form).\u00a0 This new volume allows them to update or correct any information in the original volume.\u00a0 The nice thing about an online version is that corrections and additions can be made immediately \u2013 this way, the C.R. is always up-to-date.\u00a0 Remember, no matter how careful an expert is, mistakes will be made.<\/p>\n

So, I am sure you want to know: how is a work accepted into a C.R.?\u00a0 Usually, the expert\/experts have forms that need to be filled out, image requirements, fees (these normally range from $300-$2,000, but there are exceptions), and some require that every work is physically examined (this can be an expensive undertaking).\u00a0 If, after all the research is completed, an expert feels the work (in their opinion) is authentic, then they will usually supply the owner with a letter (or photo certificate) stating that they will include it in their research project.\u00a0 On the other hand, if they do not feel the piece is authentic, some will send you a letter stating that, and others will not.\u00a0 Today, there are many artists whose works cannot be sold without being authenticated by a specific individual or committee.<\/p>\n

As I am sure you can surmise, these projects are challenging at best.\u00a0 Just trying to locate the works and then obtain reproduction-quality photographs is a time-consuming and, at times, an almost impossible task.\u00a0 Not everyone is willing to have their work properly photographed, and some do not want to take the time to do it.\u00a0 This is only one of the many hurdles that need to be overcome.<\/p>\n

I know your next question \u2013 this is all well and good, but how long does it take to research and produce a catalogue raisonn\u00e9?\u00a0 Usually, The time frame is about 15 – 20 years, but some projects dealing with more obscure artists can go on for 30 years or more. However, in the end, these publications are one of the best ways for individual buyers, collectors, and dealers to be sure that the work they are looking at is genuine.<\/p>\n

Our gallery is currently researching the lives of Julien Dupr\u00e9 (1851 – 1910), Daniel Ridgway Knight (1839 – 1924), Emile Munier (1840 – 1895), and Antoine Blanchard (1910 – 1988) for their respective Catalogue Raisonn\u00e9s.\u00a0 Both the Munier<\/a> and Blanchard<\/a> projects began online and will continue that way.\u00a0 Initially, the Dupr\u00e9 and Ridgway Knight projects were slated to be published in book form; however, we have now decided that these will also become online projects (update: the Dupr\u00e9<\/a> one is now live). This will allow everyone easy access to the information and give us the flexibility to continually update and change information as our research continues and new works appear.<\/p>\n","protected":false},"excerpt":{"rendered":"

Since I touched on expertise last month, I thought it would be appropriate to follow-up with an article about Catalogue Raisonn\u00e9s (C.R.). I have used this term many times in my career, and occasionally, someone stops me asking what exactly … More…<\/a><\/p>\n","protected":false},"author":21,"featured_media":30689,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2,1],"tags":[400],"class_list":["post-31257","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-rehs-galleries","category-rehs-contemporary","tag-how-to-safely-navigate-the-art-market"],"yoast_head":"\nHow To Safely Navigate The Art Market: The Catalogue Raisonn\u00e9<\/title>\n<meta name=\"description\" content=\"Since I touched on expertise last month, I thought it would be appropriate to follow-up with an article about Catalogue Raisonn\u00e9s.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/rehs.com\/eng\/2019\/01\/how-to-safely-navigate-the-art-market-the-catalogue-raisonne\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"How To Safely Navigate The Art Market: The Catalogue Raisonn\u00e9\" \/>\n<meta property=\"og:description\" content=\"Since I touched on expertise last month, I thought it would be appropriate to follow-up with an article about Catalogue Raisonn\u00e9s.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/rehs.com\/eng\/2019\/01\/how-to-safely-navigate-the-art-market-the-catalogue-raisonne\/\" \/>\n<meta property=\"og:site_name\" content=\"Rehs Galleries\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/RehsGalleriesInc\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/howard.rehs\" \/>\n<meta property=\"article:published_time\" content=\"2019-01-31T18:31:29+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2024-10-27T21:35:20+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/rehs.com\/eng\/wp-content\/uploads\/2018\/09\/john_bentham_dinsdale_e1223_the_flag_the_flag_the_precious_flag_BLACK_AND_WHITE.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1053\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Howard L. Rehs\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Howard L. Rehs\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2019\\\/01\\\/how-to-safely-navigate-the-art-market-the-catalogue-raisonne\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/rehs.com\\\/eng\\\/2019\\\/01\\\/how-to-safely-navigate-the-art-market-the-catalogue-raisonne\\\/\"},\"author\":{\"name\":\"Howard L. 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