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Victoria Herrera B. 1964
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Terms of Sale:


The work of art seen and described above is sold by the Seller and  purchased by the Buyer upon the following terms and conditions:


1. Except as otherwise provided herein or elsewhere agreed in writing, payment in full is due and payable on the date of the invoice.


2. Title of the work of art above shall not pass until payment in full has been received.


3. All applicable sales taxes have been charged on this transaction. The payment and remittance of use tax is the Buyer's obligation. Seller reserves the right to collect out-of-state sales taxes from the buyer after the sale if seller becomes assessed with them.


4. The Buyer's sole remedy for breach of any implied or express warranty therein shall be an action for rescission and, in any event, the absolute limit of the Seller's liability and responsibility hereunder shall under no circumstances exceed the total sales price and Seller shall not be responsible for any special, incidental, or consequential damages.


5. A non-exclusive right to reproduce the work of art described above is reserved by the Seller.


6. Risk or loss of the work of art described above shall pass to the Buyer upon delivery by the Seller to the address specified by the Buyer.


7. Seller unconditionally guarantees the authenticity of the work of art described above and, in the event such work proves not to be authentic as described, will accept the return of the work and return the sales price in full.


Except for the warranty of authenticity set forth above, no warranties or agreements, express or implied, including warranties of merchantability or fitness for a particular purpose, have been made by the Seller.

Victoria Herrera
B. 1964
Symbolism of a Seashell
Oil on canvas
36 x 29 inches
Victoria Herrera
Rehs Contemporary Galleries, Inc., New York City

Victoria Herrera is a representational painter living outside of New York City. She studied art at Moore College of Art and completed a 4-year core program at NYC Grand Central Atelier in 2012. She is recognized for her large scale botanical pieces and portrait paintings where she merges nature with the human figure. Her style is modern, but her processes is deeply rooted in classical artistic training in the tradition of the Old Masters. While she enjoys covering a variety of subjects, what remains consistent throughout her work is a deep love and respect for beauty and nature. Her work is highly symbolic and spiritual at a personal level. She has appeared in several art magazines and books and her work is collected internationally. 

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