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Terms of Sale:
The work of art seen and described above is sold by the Seller and purchased by the Buyer upon the following terms and conditions:
1. Except as otherwise provided herein or elsewhere agreed in writing, payment in full is due and payable on the date of the invoice.
2. Title of the work of art above shall not pass until payment in full has been received.
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5. A non-exclusive right to reproduce the work of art described above is reserved by the Seller.
6. Risk or loss of the work of art described above shall pass to the Buyer upon delivery by the Seller to the address specified by the Buyer.
7. Seller unconditionally guarantees the authenticity of the work of art described above and, in the event such work proves not to be authentic as described, will accept the return of the work and return the sales price in full.
Except for the warranty of authenticity set forth above, no warranties or agreements, express or implied, including warranties of merchantability or fitness for a particular purpose, have been made by the Seller.
Oil on canvas
8 x 12 inches
Rehs Contemporary Galleries, Inc., New York City
Swatland, Katie, Alla Prima II Companion: Materials, Tools, and Techniques, Stove Prairie Press, PS, 2014, pg 131, illustrated.
The paintings of Katie Swatland are an intrinsic dance between reality and rêverie. She approaches the canvas through means of discovery, imparting a sense of playful curiosity throughout a broad range of subject matter. Gestural brushwork combine with areas of transparency, offset by passages of thick impasto paint, all intermingle in a symphony of lost and found edges.
Katie's intense curiosity led her to pursue a formal education in the sciences. Trained as a mechanical engineer, she harness a deep affection for theoretical physics. She is a passionate advocate of cross-disciplinary undertakings as a way to deepen the practice and understanding of one's primary life's work.
“THE INTENTION OF ART IS FAR MORE THAN PURELY AESTHETIC PLEASURES. IT OFFERS A WAY TO EXPLORE THE INFINITE . . . ” - Swatland